This feeling lasted for the entire book. The writing style pulled me in so much that the story didn't even matter, although it is really cool as well. Kidder basically shadowed a fifth grade class in a poor, rundown, public school for an entire school year and wrote about the experience.

Because she reacts very poorly to unhappy endings, we had decided to recommend against her reading certain novels. So, for example, after significant discussion, we decided that Lois Lowry's The Giver was too intense for her, for now at least.

But she had loved Zilpha Keatley Snyder's The Egypt Game, and the illustration (by Alton Raible) on the back cover of Below the Root made us yearn to read the book, even though our resident teenager warned against it.

So we decided to read Below the Root together.

Picked this up as a quick read. Not gripping per say, but interesting.

Accidentally exiled from his castle in Scotland, the poor Boggart discovers peanut butter and that playing around with electricity and streetcars in modern-day Toronto can lead to dire (unintended) consequences.

Even the gifts the Boggart bestows on his hosts, ten-year old computer nerd Jessup and his twelve-year old sister, Emily, cause terrific problems.

And yet, I have recently come across a few novels that consider thoughtfully the role(s) a mother may play in her daughter's future. In the two grimmest, White Oleander and The Book of Ruth, the power of the mothers to destroy their daughters despite great distance, time, and, in the case of White Oleander, despite tall prison walls, is absolute. The sorrows of mothers, say Janet Fitch and Jane Hamilton, are visited on their daughters.

My then-10 year old daughter fixed her eyes on me, eyes that implied that she'd just realized that a Truth had been withheld from her, and she was going to get to the bottom of it.

"Hmmm," I answered. "What you mean is that a story is not just about its plot. Sometimes, often, in fact, a story has a message and the message is conveyed by the plot, but also by the author's choices of words. The message is sometimes called the theme of the book. It's what the author wants you to learn from reading the book. It's why authors go to all the trouble of writing books."

I explain that in those times long ago, nearly everyone was more likely to die but that women of childbearing age were particularly at risk. Dd asked, "So, are you going to die? Am I going to die?" ....

Set in the time leading up to World War I and before women's sufferage, the plot tells of a group of families and their associates and friends. There is a destitute young boy who is nurtured to become the artist he deserves to be. There are the young women who, lacking the vote and receiving conflicting messages about how to behave socially and politically, pay terrible prices. The subplots about how various characters resolve their needs to express themselves politically, even when expressing their opinions may adversely affect those they love should be required reading for anyone thinking of a career in politics.

After reading this book, I was not certain I understood much more than I did before about the French Revolution, but I did empathize a great deal more than I had before with the French aristocracy of that time. For example, Moorehead continually implies that Talleyrand was evil (and was he so terrible compared to the many other participants of the Terror??!!!) but never quite tells us what awful things he did.

One of the many delights:
The brownie named Sorrel lives to eat mushrooms. But when she doesn't like someone and calls him or her names, Sorrel uses the names of poisonous mushrooms as epithets. SO CUTE!!!

I was upset with the end of the book because it was sad but I'm still going to read the other books in the series.

We loved East, which describes in great detail, the life of Rose (called Karen in EOTSWOTM), who, like Beauty in Beauty and the Beast, comes to love the beast (in this case a white bear) who forces her to leave her home and loved ones.

Perhaps coming from a small town in Mississippi helps with that?

For one thing, the author tells the story in a very interesting way: The story is narrated by two very different, but also very similar, characters. One is a 12 year old genius and the other is a 50-something year old concierge in the fancy hotel she lives in.

On the ship she meets the 6 year old captain who explains that once you die you go to Elsewhere and live backwards until you're a baby, then you sail back to Earth to begin a new life.

Also on the ship, Liz meets a dead superstar and another girl named Thandi who's around Liz's age, with whom she becomes friends. Everyone else on the ship is an old person.

But as her backwards life progresses, Liz meets a boy named Owen Welles, and she starts to feel like she could enjoy her not-life.

I enjoyed this book very much, because you really get to know the characters and the thoughts of Liz sound like what she'd actually think. This is a new version of what happens after life that I've never heard before, and I think that it's very interesting.

Before my parents let me read this they were worried that it would be too scary for me, Liz being dead and all, but it isn't like that at all. The book is somewhat sad and dreary in the beginning but it's not like it would give nightmares or something bad like that. This book really put new thoughts in my mind, new thoughts that weren't bad.

I recommend this book for maybe 6th or 7th graders and up, even though I read it at a somewhat younger age.

The plot follows a girl who wants (and is destined) to be a wizard, but is not allowed to be because she is a girl. Wizarding is OBVIOUSLY only for boys.

Wrenching, but the characters are so endearing that I found myself alternately clutching the book, putting it down in horror and sadness, then grabbing it up again to find out how everyone was doing.

This book really got me worried about how horrible human beings are and what we're going to do to the world... It gave me a very depressing feeling while and after reading. It is set in the (near??) future, and most people are basically controlled by their "feeds" implanted directly in their brains, which are used mostly as an excuse to constantly show them thousands of advertisements. I guess the ending is supposed to be a little hopeful, in that the main character is considering fighting the feed, when he sees its awful power over humanity, but... I think hopeful is not a word that anyone can truthfully apply to this book.

Flight of the Dragon Kyn tells the story of a girl named Kara who can call birds down. The people in her village don't like her or her gift; When she was very little she came down with a deadly sickness and they left her in a cave for dead. When she came back to them, her eyes had turned from blue to green.

Some villagers claimed that a dragon gave her its milk and that that's why she had changed.

A lovely, interesting, intense survival story.

Unrealistic and puts the "high-school-girls-should-just-go-around-trying-to-get-a-boyfriend" spin on life. It's about this girl named Jennifer who discovers that she can turn invisible because she is a goddess.

Bartimaeus Book Two: The Golem's Eye is a very good book, but before you read it you should read Bartimaeus, Book One: The Amulet of Samarkand, because things in Book Two will make much more sense that way.

• Kitty the feisty commoner,
• Bartimaeus the sardonic djinni, and
• Nathaniel (John Mandrake) the annoying magician.

I was always on the edge of my seat with this book, because even if no magic was happening, or she wasn't being chased by a monster, the social conflicts of teenage girls can seem terrifying sometimes.

The metaphors here come fast and heavy-handed. The husband, Jonathan Casper, is a nerdy scientist who forgets his promises to his family as he quests after a "prehistoric" giant squid. In her off-hours, the wife, Madeline, chases a giant man-shaped cloud. At work, Madeline investigates the pecking order of pigeons by disrupting their power structures and witnessing the devastating results. (Perhaps like many academics, Madeline neglected, before she started her experiment, to understand what a pecking order is. How lucky she is to have an adviser to explicitly explain that pigeons NEED to be dominated by moderately violent males in order to avoid rampant rape and murder by the underclasses in their society.)

One of the two Casper daughters copes with her problems with excessive piety. The other responds to the chaos at home by building a bomb and ignorantly attempting to apply the Communist Manifesto to the running of her school.

Her biggest challenge in the book was realizing that the labels "normal" and "abnormal" are nothing more than labels, and that nobody is the same, so "normal" is subjective.

Chenoweth's heroine, still a college student, has known but refused to know consciously that her mother's brain cancer is terminal. In a story that could have been maudlin, Chenoweth lays out a "good" way for this young person to surface the bad news: in the company of her parents' good friends, with some younger people to interact with.

My then-10 year old loved this story so much that she insisted we go see the movie as a family. Which turned into a nine hour ordeal, long story, but the movie was/is not playing in many places. The book is much, much better than the movie. Perhaps that's not saying much, though ...

I'm not sure how to rate this book. It was very disturbing: The whole point is that 24 teenagers all fight to the death. Yay. But it was also very gripping and exciting, and talked about the price of freedom. It definitely kept me up with vivid images in my head...

When she discovers that Mockingbird was her mother's favorite book, (it's her favorite too), Erin decides to make a pilgrimage from her home in Minnesota to Lee's in Alabama on a Greyhound bus.

This is book two of what is promised to be a trilogy.

Not that horrors bear comparison, but the shock to the folks at home when, eventually they heard of the carnage of World War I seems to me as if it should have been mind-altering. Hard to believe they went right back to killing each other even more horribly in World War II.

Ella doesn't like the palace either, it's too stuffy, but she does manage to make some good friends who end up saving her from a life of for ever just looking pretty and sewing all day long.

--Fizzy, age 11

High concept, but not as stirring in its execution as I'd expected.

• An autistic-spectrum woman carries on a lengthy affair with a geologist afflicted with Alzheimer's disease intersects with
• a 19th century capitalist assault on a bog and
• a 21st century romance

In this setting the future seems just like now, except for updated space travel and things like that. It doesn't get toooo into details on the world, because almost all of it takes place in space. Anyways. The story follows Carmen, who is the first to discover inhabitants on mars. I like her as a character because she is very questioning of the rules and is just an interesting perspective to view the book through. Within the book there is also a romantic strand, so I'd more recommend this for women then men.

-- Fizzy

In this extremely gentle, wise, moving story, Lucy, a physician who is also a mother and a graduate of the foster care system, unconsciously applies this rule to her family and work life.

In this episode, Molly must learn to travel through time so she can rescue her beloved dog, Petula, her friends Forest and Rocky, and her earlier selves, all of whom have been kidnapped from the present to India in the 1870s.

Another endearing trait that Molly has is that she is very aware both of her great abilities and of her shortcomings. The all-knowing narrator of the book takes especial care to let us know what Molly is thinking when she masters her self-doubts, carefully thinks through her options, and then puts her all into implementing whatever solution she thinks will work best.

As for Nation.... "You won't like this book," my daughter said as she handed it to me. She meant that SHE did not like this book. "I usually would give every Terry Pratchett book I read a 10 out of 10. I give this one a 6, maybe. He is usually at least amusing, even when he is grim. This one is mostly just grim though."

It starts as an orphan boy, Peter, (who doesn't know his last name or even how old he is), and his four friends: James, Thomas, Prentiss, and Tubby Ted are in an old smelly wagon cart on their way to a ship called the Neverland, being shipped into their adventures.

On the Neverland Peter meets a girl named Molly, (who he thinks is VERY pretty) who needs his help protecting the magical trunk the Neverland has on board. Peter doesn't hesitate in saying yes. During their voyage, they are being followed by the wickedest pirate on the seven seas, Black Stache, who is after their ship and its mysterious cargo.

I liked this book very much, and I feel that it does a good job of explaining how Peter Pan became Peter Pan. This book could appeal to anyone from 8 years old to full grown adults, especially if they like the story of Peter Pan.

And yet, Annie Dillard's beautiful yet clear-eyed vignettes about the resplendence and horrors of the natural world captivate me.

Cat has learned how to learn from a very gifted nine-lived enchanter who is (obviously) very talented, but possibly not as talented as Cat is. Throughout the book, Cat works on identifying skills Chrestomanci has that Cat still needs to learn, on when to solve problems on his own and when to call for help, and on how and when to intervene in the lives of the less gifted inhabitants of the universes he is destined to govern.

These nerdy people, all obsessed with doing the arcane thing that they do very well, figure out how to combine their efforts for the good of the group and themselves.

In this version, narrated by the frog who becomes the prince's wife while he is a frog, the prince gradually adapts to his watery environment and becomes content in his amphibian incarnation.

We must write our homage to X-Men someday. After all, this is a group that thinks that hiding out in a school for the gifted will somehow shield its members from bullies. A creative, if foolish, concept.

The moral of the story? Perhaps that teaching one's children to observe closely and act on their observations is more important than preaching a strict morality that is no longer adhered to by grown-ups, teenagers, or even those who preach it.

In this less anachronistic modern-day Newbery Honor Book, the first-person narrator, Catherine writes down rules for her autistic brother, David, although she's learned from experience that he routinely ignores them.

Very well written chic lit.

The book is not about people eating each other, but two separate story-lines. One is about a girl named Sadima who can hear the thoughts of animals. The other is about a boy named Hahp sent to a gruesome magical academy. The only thing the plots share in common is a man named Somas, who owns Sadima's kind-of boyfriend, and lets Hahp's friends die of starvation.

It also approaches the question of faith versus science, and blindly following versus scoping out your paths.

In this non-fiction collection, Jean Craighead Geoge, author of My Side of the Mountain, describes the many wild animals she and members of her family have adopted over many years, their adventures and how they fared in captivity, and (for most), how they came to be released.

The story is about the twelve signs of the Chinese Zodiac, with a person who represents each animal. A girl named Brenda discovers early in the book that she is the future Rat, and she has to help regain the memories of her father and other "animals" whose memories of their identities have been stolen. Brenda is forced into a battle she hadn't been aware of until just weeks before, and although only a "Rat-ling", she must help the twelve and the grandson of the original emperor.

Our teenager had many more misgivings about this book than I did. And, thinking back on it, I think she's right.

A bit too mushy for me, and it bothered me that the man-woman relationship was based on the traditional beliefs that men are brave adventurers and women stay at home and worry and do housework while they cry and wait for their husbands to return...

I really enjoyed the book from that perspective, reading about her interesting and unusual theory about what time travel would be like (if it was possible) emotionally for the traveler, and its physical qualities.

For older readers. Their relationship is very heavily based on sex....

True Believer is the second first-person fiction I've read by Wolff; the first was The Mozart Season, another great favorite of mine. Like The Mozart Season, True Believer is told in the voice of an entirely believable girl.

But unlike Allegra Shapiro, heroine of The Mozart Season, LaVaughn, narrator of True Believer, has so many worries in the present day that she cannot dwell on her past or the past of her family. LaVaughn describes her day-to-day life in the inner-city projects, a life so relentlessly hard that keeping her eye on her future becomes nearly impossible sometimes, in free verse so compelling that it reads like prose.

From the perspective of 10-year-old Winnie, Babbitt shows us many details rich with color and motion that Winnie notices at first only through the bars of her fence. As she strays out of her yard for the first time, she comes to know the Tucks, who enchant her (as well as us).

And yet, I have recently come across a few novels that consider thoughtfully the role(s) a mother may play in her daughter's future. In the two grimmest, White Oleander and The Book of Ruth, the power of the mothers to destroy their daughters despite great distance, time, and, in the case of White Oleander, despite tall prison walls, is absolute.

Unless and What To Keep convey more nuanced messages. In Unless, a mother is beside herself at her daughter's transformation from promising college student into street person. Eventually, the mother reassures herself that not every activity she undertakes is invested with deep meaning and that she is not responsible for every anguish that afflicts every member of her family.

As in other Nancy Farmer stories, many of the bad guys in this tale are space aliens.

Not hard to read, although the stories of how the children came to live in the home are sad.

And yet, I have recently come across a few novels that consider thoughtfully the role(s) a mother may play in her daughter's future. In the two grimmest, White Oleander and The Book of Ruth, the power of the mothers to destroy their daughters despite great distance, time, and, in the case of White Oleander, despite tall prison walls, is absolute. The sorrows of mothers, say Janet Fitch and Jane Hamilton, are visited on their daughters.

Early in this tale, Tiffany Aching, a very mature and gifted if reluctant witch, makes the awful mistake of arousing the romantic attention of the Wintersmith (God of Winter), and nearly simultaneously but through no fault of her own, loses her teacher and home.

• Rectifies (with the "help" of her silly blue friends the Nac Mac Feegle and her not-quite-as-silly boy?friend, Roland) the wrong she's done,
• Learns to fit back into her home, and
• Comes to appreciate, understand, and learn from other mentors.

And, yes, the standard required elements of chic-lit are provided:

• Insecure heroine
• So-so job
• Unfulfilling romantic life
• Moralistic philosophizing

My daughter and I loved the way the tiny Bard Cat interacts with her less gifted human allies. The seeming contradiction between the way wizards look -- ordinary -- and what they have to do -- extraordinary -- might be heartening to a child who feels that his or her specialness is not reflected in appearance or circumstances. And, the cameo appearances by Celtic mythological beings are fun.