Archive for the ‘Conceptual: age 12 and up’ Category
Sunday, March 11th, 2007
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Wonderful piece about the author of the book Wicked
My now-12 yr. old has loved the musical since she first saw it when she was around 9. But we (her parents and older sister) have suggested that she not read the book until she is older, although we agree that the book is much more wonderful than the musical.
— Emily
\”Before seeing the Broadway musical “Wicked†for the 25th time, Gregory Maguire, who wrote the novel “Wicked,†was in the lobby of the Gershwin Theater last month persuading people not to read it. Granted, the people were 9, 10 and 13, and Maguire was telling their respective mothers that the book could be “a destination read for freshman year in college.†But when he saw the girls’ hangdog faces, he conceded that, if their mothers read it first and approved, they might try it at 16 instead. …\”
Mr. Wicked by ALEX WITCHEL
Posted in Biography, Broadway musicals, Child-raising, Conceptual: age 12 and up, Culture, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, History, Reading level: Sophisticated reader, Science Fiction | Comments Closed
Saturday, March 10th, 2007
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| Author: | Diane Duane |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 1985 |
My daughter and I read A Wizard Abroad first (the fourth book in the So You Want To Be A Wizard series), and then we read So You Want To Be A Wizard, the first book in the series.
Both stress the responsibilities and hazards of having great power. Both climax in a to-the-death battle between Good and Evil. And So You Want ..., much to the dismay of my daughter, proclaims the theme that self-sacrifice to the death is deemed a worthy and necessary outcome in certain extenuating circumstances. And that it might happen to a friend of yours. Perhaps because you need them to make that sacrifice. This is not a theme that my daughter much likes.
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Which is why, as a project, I am suggesting that my daughter spend time looking for Christian symbolism in the novels she reads, even fluffy ones like this one.
Deep Wizardry, the second book in the series, picks and chooses from the themes and plots of the others in the series. Duane is wonderful at describing young teenagers accidentally taking on more than they can really handle and then -- handling it. She's also very good at describing parents of gifted kids who really want to trust their children but have a hard time understanding what those children are capable of or what drives them. Duane's descriptions of the world and senses of whales in Deep Wizardry make it well worth reading. My daughter and I loved getting to know Kit and Nita, the young wizards, and Nita's younger sister Dairine, as well as Nita's earnest and striving parents and the advisor wizards and their interesting and talented familiars (a parrot and a dog).
But, by the end of the bloody and demoralizing battle at the end of Deep Wizardry, we decided to take a break, concerned that other books in the series prove to be more of the same. I understand there are seven books in total in the series.
Our recommendation: Read Deep Wizardry first. Then, read A Wizard Abroad if you are interested in Celtic myth and atmosphere, or read So You Want To Be A Wizard if you feel you need the gory details of how Nita and Kit over-promised.
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Deep Wizardry |
Posted in Animals, Conceptual: age 12 and up, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level: age 8 and up, Science Fiction | Comments Closed
Friday, March 9th, 2007
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| Author: | Diane Duane |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 1983 |
My younger daughter and I have been lucky in that we have often failed to start at the beginning of a series, and when we have, it has often worked out well for us.
We read A Wizard Abroad a while back, enjoyed it, and were advised to start at the beginning of the series. If we had started at the beginning of the series -- hmm -- well, we might not have continued.
Like A Wizard Abroad, So You Want To Be A Wizard stresses the responsibilities and hazards of having great power. And like Abroad, it climaxes in a to-the-death battle between Good and Evil. Unlike Abroad, but not unlike the third book in the series Deep Wizardry, and much to the consternation of my daughter, self-sacrifice to the death is deemed a worthy and necessary outcome in certain extenuating circumstances.
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As a project, I am suggesting that my daughter spend time looking for Christian symbolism in the novels she reads, even fluffy ones like this one.
I think, perhaps, she felt that this one was too fluffy to merit the death and destruction. But she/we did decide to go on to read Deep Wizardry, the next book in the series.
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: So You Want to Be a Wizard |
Posted in Conceptual: age 12 and up, Dealing with bullies, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level: age 8 and up, Science Fiction | 2 Comments »
Wednesday, March 7th, 2007
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| Author: | Mary Hoffman |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 2002 |
City of Masks is about a teenaged girl named Arianna who lives in 16th century Talia, who wants nothing more than to be a mandolier, and a boy named Lucian, who lives in 21st century England, and has an incurable case of cancer.
As Lucian suffers, his dad gives him a beautiful notebook from what seems to be very early Italy. When he fell asleep one night holding the notebook in his hand, he finds himself in 16th century Italy (Talia).
There he meets Arianna, and learns that how he got there was by what the experts call stravagation (which is how he was transferred from his world to this new one). So quite suddenly he is thrown into living two lives, one as a sick kid in modern England during the day, and the other as a perfectly healthy young man in Talia.
I recommend this exciting, kind of mysterious book for people who like fantasy and books that you don't want to put down.
City of Stars is an amazing book, the first in a series of 3. It is so wonderful for many reasons, one of which is that this book surprises you, (in a good way). While you're reading it's hard to guess what is going to happen, until it does, or nearly until it does.
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Also, I liked reading this book because there were many characters that you got to know, but not too many to be overwhelmed. Each character has his or her own personality and feelings. After reading this book I went on to read the other two books in this series right away.
--Fizzy, age 12 |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Stravaganza: City of Masks |
Posted in Conceptual: age 12 and up, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Reading level: age 12 and up, Science Fiction | Comments Closed
Monday, March 5th, 2007
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 1985 |
There are just a few authors that my 12 year old and I trust implicitly.
After having raced through umpteen of her novels, we placed Diana Wynne Jones in that category. Sure, The Magicians of Caprona was kind of stupid.... But if you locked us in a library, with a short deadline in which to emerge with a book we were willing to read, it might very well be one by Diana Wynne Jones.
Fire and Hemlock is quite a bit different from other Jones' novels. For one thing, it is SPOOKY. It is, in fact, so intense, so spooky that if my daughter and I hadn't trusted Jones as much as we did, we would never have finished reading this story. On the other hand, many of the characters do resemble other Jones characters we've met in her other stories. For one thing, every young woman of child-bearing age is at the very least utterly self-involved and uncaring about her children.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Fire and Hemlock |
Posted in Conceptual: age 12 and up, Dickensian, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Reading level: age 12 and up, Science Fiction | Comments Closed
Saturday, March 3rd, 2007
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| Author: | Gabrielle Zevin |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 2005 |
Poor Liz Hall, she is killed in a hit-and-run car crash when she is only 15, and when she wakes up,
she's on a ship traveling to Elsewhere, the world after death.
On the ship she meets the 6 year old captain who explains that once you die you go to Elsewhere and
live backwards until you're a baby, then you sail back to Earth to begin a new life.
Also on the ship, Liz meets a dead superstar and another girl named Thandi who's around Liz's age, with
whom she becomes friends. Everyone else on the ship is an old person.
At first in Elsewhere, Liz is angry and upset that her life had to end when she wasn't even 16 yet.
She never got to fall in love or learn to drive, or anything!
But as her backwards life progresses, Liz meets a boy named Owen Welles, and she starts to feel like she
could enjoy her not-life.
This book is not adventure-packed like some books, but it is in the mind of a girl, and with her you go through all her problems, like a boyfriend, a dog, sadness, happiness, and other things that a teenager girl would go through.
I enjoyed this book very much, because you really get to know the characters and the thoughts of Liz sound
like what she'd actually think. This is a new version of what happens after life that I've never heard before, and I think that it's very interesting.
Before my parents let me read this they were worried that it would be too scary for me, Liz being dead and all,
but it isn't like that at all. The book is somewhat sad and dreary in the beginning but it's not
like it would give nightmares or something bad like that. This book really put new thoughts in my mind,
new thoughts that weren't bad.
I recommend this book for maybe 6th or 7th graders and up, even though I read it at a somewhat younger age.
--Fizzy, age 12 |
Parent's note:
Yes, it is somewhat maudlin. The point is that even a life lived backward and without fear of death can be lived badly or well. The choice is up to every living person. |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: elsewhere |
Posted in Animals, Conceptual: age 12 and up, Death is a central theme, Fiction, Reading level: age 8 and up, Science Fiction | Comments Closed
Monday, February 26th, 2007
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 1975 |
There are just a few authors that my 12 year old and I trust implicitly.
After having raced through umpteen of her novels, we may have placed Diana Wynne Jones in that category. Sure, The Magicians of Caprona was kind of stupid.... But if you locked us in a library, with a short deadline in which to emerge with a book we were willing to read, it might very well be one by Diana Wynne Jones.
Dogsbody pre-dates the Chrestomanci stories; it's a bit more science fiction than Jones' usual fantasy. The characters and plot -- Cinderella meets Puss (or, in this case, Dog) in Boots -- are very appealing.
The story is told mostly from the point of view of a high Illuminancy, Sirius, who, because he lost his temper and (apparently) killed someone, is exiled to Earth in the body of a new-born puppy. As Sirius learns how to survive as a dog, while solving the mystery of how he was framed, we also learn a bit about the Troubles in Northern Ireland and about how controling our impulses can help us get what we need/want. |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dogsbody |
Posted in Animals, Conceptual: age 12 and up, Culture, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, History, Reading level: age 8 and up, Science Fiction | Comments Closed
Friday, February 23rd, 2007
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My 12 year old just gags every time she sees a commercial for this movie.ÂÂÂ
She really hates books in which majorly bad things happen \”suddenly\” to one or more protagonists.  Mr. McCabe, her 5-6th grade teacher, sent this link to me: http://www.slate.com/id/2160370/pagenum/all/#page_start He was the one who \”made\” her read the book. (Which I STILL have not read. Think dear daughter and I share a genetic link?)
http://www.amazon.com/dp/0064401847?tag=armadilloassoc0c
Posted in Child-raising, Conceptual: age 12 and up, Dealing with bullies, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level: age 12 and up | Comments Closed
Friday, February 9th, 2007
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| Author: | Cynthia Lord |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction, autism |
| Year of publication: | 2006 |
In Al Capone Does My Shirts, the first-person narrator is a boy whose family moves to Alcatraz so that his sister may apply to a school for autistic children near San Francisco.
In this less anachronistic modern-day Newbery Honor Book, the first-person narrator, Catherine writes down rules for her autistic brother, David, although she's learned from experience that he routinely ignores them.
Written by the mother of two children, one of whom is autistic, the plot, written with the help of Lord's non-autistic daughter, clearly demonstrates how much the parents of the autistic child demand from the one who does not suffer from that disease. |
Catherine's patience and empathy border on saintliness, and the moral (perhaps the message to the author's non-autistic child) seems to be that she is a better person for having helped her parents with her brother.
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Rules |
Posted in Conceptual: age 12 and up, Female protagonist, Fiction, Gifted, Reading level: age 8 and up | Comments Closed
Monday, February 5th, 2007
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| Author: | H. M. Hoover |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | Fiction |
| Year of publication: | 1988 |
De-mythologization (probably not a word, huh?) of the story of Medea, including the story of Jason and the Golden Fleece, from Medea's point of view.
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As in The King Must Die (the story of Theseus and the Minotaur), , in this story too, the ways of the patriarchal Greeks mostly triumph over the matriarchal societies that share their waters.
Another theme is the unfortunate tendency of those who lack knowledge in science and healing to assume that those, especially women, who master those arts, are witches (evil).
Despite its sympathetic portrayal of Media, in this account, as in the original, Medea's overwhelming love of Jason very badly clouds her judgment and causes her to act murderously.
Recommended. |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dawn Palace,The |
Posted in Conceptual: age 12 and up, Culture, Dealing with bullies, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Reading level: age 12 and up | Comments Closed
