Archive for the ‘Death is a central theme’ Category

Book review: Krakatoa: The Day the World Exploded: August 27, 1883

Friday, March 21st, 2008
Author:Simon Winchester
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:non-fiction
Year of publication:2003

Simon Winchester does what he does better than any other science writer I know. He starts with one well-known natural disaster. Introduces us to many of the people affected by the unfolding events. Then weaves in information about the geography, geology, history, state of technology, and then puts it all together and tells the story of the disaster.

In this case, Winchester provides many details about the effects of the eruption of Krakatoa on the air around the world. This eruption also caused a sea-surge, which also killed many people. He also discusses the "top ten" (I think it was ten) volcanic eruptions in history.

This book also provides a great overview of the history of the theory of continental drift, which I think is currently thought to be the cause for volcanism in much of the world.

Obviously, not for the squeamish. But a must-read for everyone else who lives on Earth.

-- Emily
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Book review: Dark Lord of Derkholm

Thursday, February 21st, 2008
Author:Diana Wynne Jones
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:fiction
Year of publication:1998

"The cool thing about Diana Wynne Jones is that we've read many of her books, but her stories are all very different. She doesn't repeat herself. This one goes from amazing to intense, maybe it's even a little too intense," says my 13 yr. old.

As you can tell, we here are huge fans of Diana Wynne Jones. We admire the magical worlds she creates and her characters -- human, wizard, and fantastical -- captivate us. We find the plots of her stories unpredictable but plausible, at least in the magical environments in which they take place.

Dark Lord of Derkholm is about a planet that is used as a playground by a imperial power, in the person of one "Mr. Chesney". The inhabitants are compelled to stage elaborate wargames, games in which they and the tourists who pay to join them risk losing lives, families, and livelihoods. (Lest this be thought of as a metaphor for the American adventure in Iraq, please note that this story was written back in 1998, before our Mr. Cheney lead us there.)

I have a friend whose brilliant son graduated from college and then promptly enlisted in the military. "Maybe I won't get sent to Iraq," he told her. "Yeah, and why are they teaching you Arabic?" she asked him. There are young people who need to truly understand how terrible war can be. And maybe we should try to communicate this to them before they are old enough to sign on the dotted line of that enlistment contract.

But what about the kids who have already drunk the Kool-Aid? Those who know that war is not a game. Do they need to know that mercenaries sometimes rape innocent children? That sometimes heroes die in battle? That those who sponsor the wars often profit vastly from the carnage? Maybe not. But I think I'd have been happier if my friend's son had thought about these things before he enlisted.

So, do we recommend Dark Lord of Denholm? Not for sensitive children. Because they will fall in love with the griffins and the dragons and flying horses and annoying geese and Derk and his human children and then they will read about how all these gorgeous characters suffer just because they live in a society that plays at war.

Do I think our children ought to read books like this one? Even though they can hardly bring themselves to read on? Yes. In a country where our leaders feel comfortable cheerfully singing "Bomb, bomb, bomb Iran" to the melody of a Beach Boys song, our children need to read about how a downtrodden society can pull itself together and say "No" to war.

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Book review: The Invention of Hugo Cabret

Saturday, December 8th, 2007
Author:Brian Selznick
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2007

At the advanced age of 12, and although my precocious reader loves reading chapter books, she still misses having pictures in her books.

The Invention of Hugo Cabret solves this problem. A Dickensian fairy tale, told in words and beautiful, complicated charcoal drawings, Hugo Cabret tells the story of the rediscovery of a silent film director and a young boy in Paris of the early 1930s.


My sensitive reader gasped at the way adults failed to take care of Hugo throughout his young life, but rejoiced at the way he is able to create a family for himself which does, eventually include responsible adults.

A lovely celebration of train stations, automata, clock mechanisms, and film.

The depth of the illustrations and the gentleness of the words would make this a great gift for book lovers and film lovers of all ages.

-- Emily Berk

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Invention of Hugo Cabret, The

Book review: Oryx and Crake

Thursday, October 11th, 2007
Author:Margaret Atwood
Reading Level (Conceptual):For grown-ups
Reading Level (Vocabulary):For grown-ups
Genre:fiction
Year of publication:2003

Margaret Atwood's gift is to write entirely plausible nightmares that resonate to her readers' bones. Problem is, the nightmares she drags us into are so plausible that they do seem to be coming true.

The nightmare we inhabit in Oryx and Crake is an ecological one. Intense, violent, horribly sad. Just what we expect from the best of Margaret Atwood.

A must read.

A bit of a spoiler, below.


The germ of Oryx and Crake, and yes, in this context, that is a pun, is that at some point, pharmaceutical companies might worry if all disease were wiped out. After all, if no one ever gets sick, then, what would Big Pharma sell?

-- Emily Berk

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Oryx and Crake

Book review: Stowaway

Thursday, September 6th, 2007
Author:Karen Hesse
Illustrator:Robert Andrew Parker
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction, historical
Year of publication:2000

"Read this book," my 12 yr. old ordered me. "I'm pretty sure you'll like it. I liked it a lot."

And I did indeed like it a lot. And, I learned a lot about sea voyaging in the late 1700's too.

Hesse based her tale on fact -- there was really a young boy named Nick Young who "appeared" on the roster of Captain Cook's ship Endeavour quite a few months after the ship had left England, but before it had put into any port. Hesse guessed that he had been a stowaway and was discovered once it was too late to put him ashore.

Nick's story is told in the form of his journal entries for the entire voyage, each of which provides a date, a latitude and longitude (in measurements of Capt. Cook's time, which means that if a reader were to want to follow Nick's journey on a globe, one would have to do a little math), and an approximate location in words.

In Hesse's imagination, but perhaps this is truly how it happened, once Nick is free to show himself, he makes himself useful as assistant to the ship's physician, writing tutor, and friend to the Goat and the dogs and many of the sailors.

Captain Cook proves an adept leader and for many months of the three year journey; he kept nearly everyone on board alive and healthy. But seafaring was risky in those years. There was violence; the close quarters of the ship required stringent enforcement of rules -- punishment was by lashes with the cat-o'-nine-tails or worse -- and Nick does lose many shipboard friends to accidents and disease. My usually very sensitive daughter accepted these sad events because, she felt, they were the historical reality and also because Nick helped us experience them through his accepting (if sometimes tearful) eyes.

Because the tale is told in the voice of a boy, it is not challenging to read. However, Nick does have a strong grasp of sailing terminology and 18th century turns of speech. The glossary at the end of the book and the maps on the inside covers are useful additions.



-- Emily Berk

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Stowaway

Book review: The Last Dragon

Monday, September 3rd, 2007
Author:Silvana De Mari
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction, fairy tale
Year of publication:2006

A beautiful and gentle but very sad fairy tale for children about xenophobia, ethnic cleansing, forced communal farming, vegetarianism (and its limitations), witch hunts, forgiveness, sacrifice, and the difference between selfishness and self preservation. My very sensitive 12 yr. old loved this story and encouraged me to listen to it on audio CD.

The story is so intense that if Trish Connolly, the reader, were not so compelling, there were many points at which I would have stopped. No way I could read this story -- I'd have been crying too hard.

The Last Dragon is the story of Yorsh, a young elf who is taken in by two humans when all the other elves have been exterminated by the humans of Daligar. (The elves, as everyone knows, were responsible for all evil and misfortune in the world, including the terrible rainy weather and resulting floods. After all, there must always be someone to blame.) The humans who shelter Yorsh despite the peril to their lives learn to love and appreciate his special gifts. And Yorsh comes to know that not all humans are murderers and thieves.


And yes, in the course of Yorsh's wanderings, we do also come to know and love the world's last dragon.

Worth reading, but very, very sad. May be a good way to start discussions of the Holocaust and about how people can go on with their lives, even after experiencing the awful suffering some inflict on innocents.



-- Emily Berk

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Last Dragon, The

Book review: The Higher Power of Lucky

Saturday, June 23rd, 2007
Author:Susan Patron
Illustrator:Matt Phelan
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:Fiction
Year of publication:2006

As a lover of fairy tales, it was probably impossible for me not to love reading this sophisticated story, simply told, which pretty much turns every fairy tale convention on end:
  • When my younger daughter was around 3, she was obsessed with learning how Cinderella's mother had died. In this story, we learn within the first few pages that our heroine's mother died when she was struck by lightening.
  • In many fairy tales, the heroine's name has to do with her physical appearance. In this story, the heroine's name has to do with her fate.
  • Most fairy tales abound in generalities and their language is very simple, even bland. Some groups are pushing to ban this Newbery Award winner because the word "scrotum" appears on its first page.
  • In many fairy tales, the stepmother serves as villain. In this story, the heroine's father's first wife comes to Lucky's rescue -- she raises her after her "real" mother has died.
  • In many fairy tales, the protagonist leaves home to seek his (it IS usually his) fortune. In this story, Lucky runs away from home, only to realize that she belongs with her stepmother.
And yet, The Higher Power of Lucky is a fairy tale, albeit a new-fangled one.

A good one as well.

Highly recommended for fairy tale lovers who are somewhat more worldly (older) than is typical.

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Higher Power of Lucky,The

Book review: A Crack In the Edge of the World — America and the San Francisco Earthquake of 1906

Monday, June 18th, 2007
Author:Simon Winchester
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:non-fiction
Year of publication:2005

Simon Winchester begins and ends with the San Francisco earthquake (and fire) of 1906, but by the time he gets around to it the second time, he's provided descriptions of earthquakes and tsunamis throughout the world so detailed that I was almost afraid to finish the book. But how could I not?

Winchester's descriptions of the people and places affected are compelling. For example, the Cassandra in me was moved by the story of the fire chief of San Francisco, Dennis Sullivan, who argued "for years that the city was a tinderbox waiting to be struck.... He must have felt vindicated when, in October 1905, the National Board of Fire Underwriters declared that San Francisco's water-supply system... was in such poor shape that the hydrants would not be able to halt anything approaching a major fire." "[T]he San Francisco fires raged, at first wholly unchecked, for ... three days" after the earthquake. Within 12 hours, half of the city had been completely burned. "Time and again, since almost every one of the hydrants proved to be dry, the firemen could only look on impotently and suffer the jeers of the crowds which at first could not understand why nothing was being done to contain the inferno."

Winchester's explanations of the geology are clear and frank. The appendix about the Richter Scale is worth the price of admission.

Obviously, not for the squeamish. But a must-read for everyone else who lives on Earth. And not just for those who live in California. Look up New Madrid in the index.

-- Emily
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Crack In the Edge of the World, A: America and the Great California Earthquake of 1906

Book review: A Madman Dreams of Turing Machines

Tuesday, April 3rd, 2007
Author:Janna Levin
Reading Level (Conceptual):For grown-ups
Reading Level (Vocabulary):For grown-ups
Genre:Fiction, biography
Year of publication:2006

What must it be like to be so intelligent that you can't trust anyone enough to believe him or her? So confident that you are right and that everyone else is wrong that you ignore the woman who loves you when she tells you that you must eat (and assures you that the food is really, truly not poisoned)? What must it be like to know that you are moral, that you have saved civilization, but to be convicted of immorality and forced to deny your true self?

Janna Levin (our madman who is not at all mad) worms us inside the minds of Kurt Gödel and Alan Turing and forces us to look out into the world through their eyes. When we hear Gödel's story, we may be tempted to think that paranoid insanity is part of terrific genius. But then what are we to think of Alan Turing (yes, he clearly was on the autistic spectrum, but he was not crazy and not harmful to himself or to others), who only wanted to solve very hard problems and love the occasional man and was forced to ingest hormones that destroyed his body and his self-respect?


A very sad, but important book. A reminder that we must, must, must help our gifted children find communities in which brilliant minds are nurtured and supported and cherished for their idiosyncrasies.

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Madman Dreams of Turing Machines, A

Book review: Stranger in a Strange Land

Saturday, March 31st, 2007
Author:Robert Heinlein
Reading Level (Conceptual):Sophisticated readers
Reading Level (Vocabulary):Sophisticated readers
Genre:Fiction
Year of publication:1961

Winner of the 1962 Hugo Award. Story of a human child, raised by Martians on Mars, who comes to Earth and starts a sexual revolution.

I guess it was revolutionary for its time. But re-reading it 40+ years after its release, it strikes me as as preachy as anything by Asimov, with an attitude toward women that holds over from the fifties, and as sexually innocent (not) as The Harrad Experiment.


Of course, The Harrad Experiment was written more than 10 years later, so that is some proof that Stranger may have been ground-breaking....

Some have suggested that Valentine, the Martian-human Stranger is a metaphor for an Asperger-spectrum gifted learner, who groks nearly everything he studies better and faster than any other human, but who also lacks social skills and an understanding of how humans are expected to behave.


If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Stranger in a Strange Land