Archive for August, 2006

Book review: Catch-22

Tuesday, August 29th, 2006

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Author:Joseph Heller
Reading Level (Conceptual):Sophisticated readers
Reading Level (Vocabulary):Sophisticated readers
Genre:Fiction
Year of publication:1961

Comedy about why war is not funny.
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Book review: Wolf Story

Thursday, August 24th, 2006

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Author:William McCleery
Illustrator:Warren Chappell
Reading Level (Conceptual):Children 5 and up
Reading Level (Vocabulary):Children 5 and up
Genre:fiction
Year of publication:1947

A great book to read aloud to your child about a father who tells his son a story. Especially wonderful if you know NYC and its suburbs well enough to recognize the venues the boy and his father visit.

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Book review: An American Childhood

Saturday, August 12th, 2006

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Author:Annie Dillard
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:non-fiction
Year of publication:1988

Annie Dillard aims her clear scientist's eyes and the evocative Voice of the Pilgrim At Tinker Creek at the lives of upper class families with children in Pittsburgh, PA in the fifties. She reveals a great deal about Pittsburgh; and just about nothing about herself.

As long as one isn't determined to read this as an autobiography, it will not disappoint.

Dillard's reflections on the differences between her fascination with the French and Indian War versus her obsession with reading about World War II (one was history, the other was an open wound), about the good that Andrew Carnegie did for the people of Pittsburgh and the good that he could have done if he'd made different choices, about her father's aborted trip down the Mississippi, and, especially, about Dillard's growing awareness as she grew up that Pittsburgh high society was not the box she wanted to be in -- made me grateful to have read this book.


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Book review: Pilgrim At Tinker Creek

Saturday, August 12th, 2006

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Author:Annie Dillard
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:non-fiction
Year of publication:1974

I have always been squeamish.

And yet, Annie Dillard's beautiful yet clear-eyed vignettes about the resplendence and horrors of the natural world captivate me.


A must-read for any budding naturalist.

See also An American Childhood, a memoir by the same author. This one doesn't tell you exactly how Dillard became the astute observer of nature revealed in Pilgrim, but it does focus those same astute eyes on life in Pittsburgh, PA in the fifties.


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Book review: With Every Drop of Blood

Saturday, August 12th, 2006

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Author:James and Christopher Collier
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:1997

A review by a 10 year old reader...

I liked With Every Drop of Blood, but it was sad. I never have understood how people thought they were better, and smarter, and deserved a better life than black people just because they looked different.

There were two main characters: Johnny and Cush. Johnny is a white kid whose dad got killed in the civil war. When his dad died he left Johnny, his mom and his two younger siblings Sam and Sarah alone. They needed food and money (and Johnny wanted to revenge his dad's death) so Johnny went teamstering food in a wagon for the rebel soldiers.


Cush is a black slave who ran away from his master to be a union soldier. He is about Johnny's age. He ends up capturing Johnny while he's on his teamstering mission and later on becoming his friend.

I think Johnny was a good character. But it took him a long time to realize that Cush was just as smart as him even though he was black. So none of his escape plans fooled Cush.

Even though it's sad, With Every Drop of Blood is an okay book.

Fizzy, age 10


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Book review: Hoot

Tuesday, August 8th, 2006

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Book review: Watership Down

Tuesday, August 8th, 2006

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Author:Richard Adams
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:fiction
Year of publication:1972

Epic story of a rabbit civilization that faces challenges.

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Book review: The Twenty-One Balloons

Tuesday, August 8th, 2006

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Author:William Pene du Bois
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:Science fiction
Year of publication:1947

Technologist/balloonist discovers an island on which a group of very special folks have isolated themselves.

Winner, 1948 Newbery Medal

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Book review: Ptolemy’s Gate (Bartimaeus Trilogy, Book 3)

Sunday, August 6th, 2006

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Author:Jonathan Stroud
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:fiction
Year of publication:2005

Sardonic musings of a demon summoned by a very young, but now, successful, wizard.

Book review: Part 1

Spoiler alert

I hate spoilers. However, I wish I had known more about the third volume in this trilogy before my daughter and I started reading the first one. (This would not have been possible when we started the first volume, because the third volume had not yet been released.)

That being said, I highly recommend all the books in the trilogy and I am glad that my daughter and I read them together.

This review is being presented in multiple parts; each part may provide additional information that, taken together, might give away some of the plot twists of Volume 3.

On the other hand, those helping highly sensitive readers select books might want to read through all the parts of this review before recommending books in this trilogy to them ...

Book review: Part 2

My 11 year old really loved these books. But they are a bit of a departure for her -- there's real murder and mayhem in them, which, until recently, she would not have tolerated.

As in previous volumes in the Trilogy, this book switches perspective between three very different characters:

  • Feisty Kitty is one of the commoners who are mistreated by the ruling elites and the demons they employ and are devastated by the economy and grief that result from the incessant wars the elites wage on foreign shores. She realizes that she must do something. But how much can one person do and can she live with the devastating consequences of her actions on her friends and colleagues?
  • Bartimaeus the sardonic djinni, who stands back and makes sarcastic comments about the other characters and the plot, even when he's right in the middle of it all, and
  • Nathaniel (John Mandrake) the gifted but annoying magician who has been co-opted by an Evil government because of his great intellectual abilities. Most of the time, the djinni has to obey the boy's commands, and a lot of the humor/sarcasm comes in when the djinni explains to the reader how morally compromised the boy is becoming. (And, to his credit, the djinni doesn't hesitate to tell the boy either, not that the boy listens most of the time.)
There is a complex relationship between these books and slavery too. The djinni is a slave, and even though he respects the good qualities of his boy master, he also hates having to obey his commands. Most of the time, the djinni makes this clear. But he's sometimes more supportive of his master than I think an average slave might actually be.

In Ptolemy's Gate, Bartimaeus also develops a touching relationship with Kitty and an awareness of kinship with the commoners whom most djinn scorn if they consider them at all. So much for cooperation between oppressed masses.

 

Book review: Part 3

My 11 year old daughter -- a very sensitive reader who has fallen in love with many of the characters in the Bartimaeus Trilogy and who "trusts" Bartimaeus' author implicitly -- and I read books to each other, usually alternating chapters. So, here we are, alternating chapters. My daughter reads Bartimaeus' words:
There are times when even a near omnipotent djinni knows to keep his mouth shut, and this was one of them. ... Trouble was, neither of them was in a mood to listen to my doubts. ... Pride has a part to play in it, and other emotions too. Neither wishes to fail; each redoubles their efforts to impress. Things get done -- but not always the right things, or not always the things expected. .. Farqual's phrase rang uneasily in my mind: He would welcome your attack and feed off it. And, call me pessimistic, but that struck me as a mite ominous. But it was too late to worry about that now.

I interrupt her and ask, gently as I can, "So what is the author telling us here?" My daughter pauses reluctantly. It's been an exciting, interesting, scary story so far, a story that persuasively argues that war can harm the invading country as well as the country that was invaded, that slavery compromises the humanity of the slave-owner as well as the slave, that torture is likewise devastating to both the torturer and the victim, and that a country in which the ruling classes blithely assume that what is in their interest is also in the interest of commoners who have no say is a country heading for destructive violence.

I persist -- "What is the author telling us right now?" She replies, "I HATE foreshadowing." She gets it, I'm pretty sure she does. I persist, "So what's being foreshadowed?" (It's almost always better when she gets the opportunity to face unpleasantness gradually.) She says, "Bad things are going to happen. But he CAN'T kill off -- ?"

Book review: Part 4

So, what are the options for an author who obviously is wanting to make a case for the horrors of war, horrors he thinks may perhaps be discounted by the young and foolish? If no one but the unnamed masses or unimportant minor characters in the book are affected by the violence, what does that say about war?

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Ptolemy's Gate (The Bartimaeus Trilogy, Book 3)

Book review: The Sisterhood of the Traveling Pants

Sunday, August 6th, 2006

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Author:Ann Brashares
Reading Level (Conceptual):Sophisticated readers
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2001

A magical pair of pants, pants that are equally flattering on each in the Sisterhood, remind a group of four young women of their bond. And the pants also very creatively tether the four separate plot lines together.

Very well written chic lit.


I found the four stories -- about: staying brave as a friend dies, being honest about one's feelings, dealing with a divorced parent's new family, and the dangers of manic/depression -- pretty realistic and interesting. But I do have some reservations about the book:
  • Are there really strongly cohesive groups of four girls this different? Perhaps because the book rarely discusses what they do when together, I was not persuaded.
  • Money and distance and parents seem to be insignificant obstacles to these young women. Adults in the book are there in a way similar to the authority figures in Peanuts. You see/hear rumors of them, but even at a summer camp, they seem to be mostly, frightentingly absent. Perhaps this is the way that teenage girls perceive them. Perhaps they are mostly absent in many teenagers' lives. The girls know they need to be there for eachother, because their parents -- aren't.
Well, anyway, I enjoyed getting to know Carmen, Lena, Bridget, and Tibby, who shine because of their inner goodness, although the magical pants, might add to the luminance.

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