Archive for the ‘Reading level: age 8 and up’ Category

Book review: The Prophet of Yonwood (Books of Ember)

Monday, June 22nd, 2009

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Author:Jeanne Duprau
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2006

Very preachy and had a LOT of people blindly following orders, which bothered me. The book was written as if the reader was like five, which also bothered me.

The two books in the series before this were also very easy reads, but at least had interesting plots and you didn't know exactly what was going to happen... However, the ending was satisfying, and the two prequels are pretty good.

--Fizzy, age 14

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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Prophet of Yonwood, The (Books of Ember)

Book review: Thirteen Orphans, Breaking the Wall

Saturday, June 13th, 2009

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Book review: The Invention of Air

Wednesday, May 27th, 2009

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Author:Steven Johnson
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:Non-fiction
Year of publication:2008

A lovely biography of Joseph Priestley, a scientist, theologian, and political thinker.

In these days when we are trying, finally, to get the politics out of science, this book argues that the reverse, having scientists care about politics is deeply ingrained in the fabric of the United States and Britain. Not that kings and princes always wish it so.

Note to sensitive readers: Priestley's experiments often involved the use of live animals and plants, some of which died in the absence of oxygen.


One of Priestley's great strengths was in his ability to create experiments and to note details that signaled where his results might be followed up by further experiments. Priestley was less adept at giving up on assumptions that he brought into the experiments to begin with.

Another great strength was his ability, in fact, his obsession, with exchanging information with other scientists.

This biography serves as a tribute to the scientific method (which Priestley did not really follow), Joseph Priestley, Ben Franklin, Thomas Jefferson, and, in an interesting way, John Adams.

Highly recommended.

-- Emily
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Invention of Air, The

Book review: Nobody’s Princess

Tuesday, May 5th, 2009

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Author:Esther Friesner
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2007

Kinda cute... the princess doesn't want to be girly, but wants to learn to fight and hunt and other things that only boys are allowed to do. The book is about Helen of Sparta before she was queen or beautiful.

Although it wasn't a very fresh idea for the plot of a book, i am going to read the sequel because i am wondering how Friesner is going to connect this story to the big myth and the Trojan war.

--Fizzy, age 14


If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Nobody's Princess

Book review: Dragonhaven

Monday, May 4th, 2009

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Author:Robin McKinley
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2007

This book was very slow for a long time in the beginning, but good. It is from the perspective of a teenage boy who lives in our world, which, it seems, has dragons in it. A protected species, of course. I know that sounds very cheezy, but it is well put together, and a fun, quick read (except the beginning).

Jake finds a dragonlet and then, all of a sudden, the novel gets interesting when it is up to Jake to save Smokehill Dragonhaven Natural Park...

--Fizzy, age 14

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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dragonhaven

Book Review: Nation

Saturday, April 18th, 2009

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Author:Terry Pratchett
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2008

My daughter has been censoring my reading lately. She refuses outright to allow me to read certain books, like Brisingr, the third book in the Eragon series and Inkdeath, the third book in the Inkheart series.

As for Nation.... "You won't like this book," my daughter said as she handed it to me. She meant that SHE did not like this book. "I usually would give every Terry Pratchett book I read a 10 out of 10. I give this one a 6, maybe. He is usually at least amusing, even when he is grim. This one is mostly just grim though."

My assessment is more generous than my daughter's. Nation is intense. And contains significantly more mayhem, death, and destruction than most Pratchett stories, for adults or children. And rage at the universe. Along with Pratchett's customary skewering of the silliness of every society and religion he happens across. With, perhaps, a little more bitterness than usual.

I could not put Nation down. And as I parsed each angry word, I thought that if I were Terry Pratchett, brilliant author of unforgettable stories, and I had been diagnosed with Alzheimer's, well I would be raging at the Universe as well.


I did find much that I found amusing in Nation. But it is more serious than Pratchett's other stories for children. Nation is about growing up fast and taking on responsibilities that appear crushing because you have to, because there is no else to do it. It is about tolerating the idiosyncrasies of others because you need them. It is about using religion to get people to do what you need them to do and about whether it is alright to do so even if you do not yourself believe. And, as per most Pratchett books, it also touches on the flimsiness of the differences between civilization and savagery, manners vs. self-control vs. the power to break free of convention when necessary.

So given that my daughter did allow me to read this book when she has physically prevented my putting hands on so many others in the last few months, I will say that we both recommend this book to gifted, sophisticated teenage readers with a good tolerance for death and destruction.

-- Emily

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Nation

Movie/musical Review: Oklahoma (London stage version), the musical

Monday, April 13th, 2009

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Author:Rogers and Hammerstein 
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:musical
Year of publication:1999

X-Men have been, and remain, our favorite super-heroes. We watch the movies; have not gotten into the comic books. Have recently also enjoyed Hellboy. Some of us really admire The Incredibles (but some of us do not).

We must write our homage to X-Men someday. After all, this is a group that thinks that hiding out in a school for the gifted will somehow shield its members from bullies. A creative, if foolish, concept.

Plus, they have both Patrick Stewart and Hugh Jackman. And very cool superpowers. And great special effects.

We are waiting with great anticipation for the release of the latest X-Men movie, Wolverine. Although, judging from the previews, it's probably going to be depressing as anything. And meanwhile, since we love and admire Hugh Jackman (have started watching Australia), and we love and admire musicals, we sat down and watched this production of Oklahoma.

Plot spoiler alert: plot spoilers follow below...

As we have pointed out before, Broadway musicals, at least the good ones, are much more than song and dance. Musicals' pretty costumes and music often disguise powerful messages.

Oklahoma is an odd one -- the messages are truly of their original time -- 1955.

  • There's a guy named Jud. He's got some unattractive habits. (Kind of like the X-Men -- they accidentally kill you with their thoughts, he impulsively brandishes switchblades.) Plus no one normal likes him. (Kind of like the X-Men, huh?)
  • Then there's Laurey, Jud's young woman employer. She is not yet ready to commit herself to her true love, Curly, and instead teases Curly by agreeing to let Jud take her to the barn-raising. Teasing is not nice. And so Laurey gets everyone into real trouble.
  • There's also a loose woman and the two men who love her -- Will Parker (a cowboy) and Ali Hakim (a Persian peddler, played with an accent that seems to waver between NY and who knows where by Peter Polycarpou). Wow, Persian. Put there in the 1950s. An outsider from the Middle East with enough money to buy whatever he wants, but -- perhaps we shouldn't let our women get involved with guys like him. And yes, Ali Hakim IS Persian in the original.
  • And "Why is it that Aunt Eller runs the town? Did any woman wield that kind of power in those days?," my daughter didn't think that was in any way realistic. I speculated about there not being many women surviving childbirth into "old age" in the days before OK statehood; but then, in this production at least, there are a LOT of women -- they overwhelm the wedding scene, for example.
So how DO our musical Oklahomans deal with this bully? (Even if he's one that they've sort of created. Or, maybe he's just crazy and not really their responsibility, just a problem for them to dispose of?)

If you are Curly and just want Jud gone, perhaps you sidle over to Jud's hovel and sing him a song encouraging him to suicide. ("Is this FORESHADOWING?," my daughter asks.) And when that does not work, you and Laurey try various other things, all of which end up infuriating the bully further. And then .... Go here to skirt spoilers

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You accidentally kill the guy (see! it WAS foreshadowing) in self-defense, stage a trial in a convenient venue, are let off in seconds (since everyone, even the farmers, KNOWS for sure that the murder was in self-defense), and then you get on with your happy life. You settle down and become a farmer. Oklahoma settles down and becomes a state.

 

 

 

 

 

 

 

 

 

What DID we actually think of this version of the musical?

Well, the famous songs are famous for a reason. The choreography is by Agnes del Mille. My daughter found it a bit intrusive. "So now here comes the next DANCE number." Laurey's dream sequence is VERY disturbing. Hugh Jackman does not disappoint. Shuler Hensley, who plays Jud Fry, has a remarkable voice and keeps us vacillating between sympathy and digust for his character.

The filming decisions were odd too. We see the audience clapping after most scenes, and that is ok. And we get to see SOME of the stagecraft (much is made of the revolving stage). But the peeks into the stagecraft made my daughter want to see MORE of the stagecraft, and she came to doubt that we were actually seeing the musical as it was presented to a real live audience. We noticed some shoe changes -- boots to toe shoes to boots -- that we found very confusing.

Should your sophisticated children watch Oklahoma? If they have an interest in musical theatre, absolutely. But, beware: Musicals' pretty costumes and music often disguise powerful messages. And the messages of Oklahoma are -- hmmm -- disquieting. As messages of musicals often are.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Rodgers and Hammerstein's Oklahoma! (London Stage Revival)

Book review: Love, Stargirl

Thursday, February 28th, 2008

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Author:Jerry Spinelli
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:2007

It had been one of those errand-intensive Saturdays. On the way home after much driving, with groceries in the car, my 13 yr. old said, in a studiously casual way, "Hey Mom, you know the sequel to Stargirl is out." One of the pathetic things about us is that we forget our own phone numbers, but know by heart the precise coordinates of every bookstore and/or library in our current vicinity (where ever in the world that might be) and their hours. We checked Love, Stargirl out of the library within 15 minutes.

If you have a gifted child, particularly a girl, who is about to enter high school, or who is already in high school, and who has not already read Jerry Spinelli's amazing novel about the glory and the pain of being orders of magnitude different from one's peers, go now and read Stargirl. And then hand it to the child.

Love, Stargirl, which takes the form of a letter that Stargirl writes to the boyfriend who was insufficiently tolerant of her uniqueness, is not really a sequel that can be fully appreciated unless one has already read Stargirl. In her letter, Stargirl describes the process by which she rediscovers her joy in creatively reaching out to others.

Solving the puzzles that Stargirl poses us is interesting and moving and so we recommend reading Love, Stargirl highly, but -- read Stargirl first.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Love, Stargirl

Book review: The Invention of Hugo Cabret

Saturday, December 8th, 2007

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Book review: The Boggart

Wednesday, November 14th, 2007

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Author:Susan Cooper
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction

After reading The Dark Is Rising, I never would have imagined that Susan Cooper was capable of writing a book in which all characters are not either entirely good or entirely evil. And yet, here we meet the Boggart, an Old Thing, whose purpose in the world is to play tricks on people. He never intentionally harms anyone, but he almost always acts impulsively and many of his actions result in chaos at best.

Accidentally exiled from his castle in Scotland, the poor Boggart discovers peanut butter and that playing around with electricity and streetcars in modern-day Toronto can lead to dire (unintended) consequences.

Even the gifts the Boggart bestows on his hosts, ten-year old computer nerd Jessup and his twelve-year old sister, Emily, cause terrific problems.


The Boggart is the story of several families -- some are families by blood, others by community -- separated by miles and in some cases oceans, and by history -- who come to know and cherish each other. Parents, children, actors, friends, and one magical creature draw on prodigious, if often hidden, talents and work together to understand each other as awesome (and often dangerous) supernatural events nearly destroy them.

The depictions of:

  • The rocky but eventually trusting relationship between the siblings,
  • The Gang of Five who are obsessed with writing a computer game,
  • The dilemma of parents who are concerned that perhaps their children are possessed (most parents must believe that sometimes) and that their children's friends might not be the most upstanding citizens,
  • The life of an old-fashioned gentleman who lives on a remote island in a remote community in Scotland,
  • The hard work of a regional acting company, and
  • The interesting character of the Boggart, who really does love his humans, even as he schemes to come up with more annoying tricks to play on them,
are truly delightful.

Note: The limitations of the personal computers that existed when this book was written play a significant part in the story. And for that reason, the fact that the author's descriptions of how computer operating systems work are a bit off deflated the story a little for me. If I were to make a movie of this book (and I think it would make a fantastic one), a slight change in a couple of the nouns would resolve this issue.

Highly recommended.

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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Boggart, The