Posts Tagged ‘suicide’

Book review: The Elegance of the Hedgehog

Monday, April 26th, 2010

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Author:Muriel Barbery
Reading Level (Conceptual):Sophisticated readers
Reading Level (Vocabulary):Children 12 and up
Genre:fiction

This book is remarkable, in that with every page I read, I was more captivated.

For one thing, the author tells the story in a very interesting way: The story is narrated by two very different, but also very similar, characters. One is a 12 year old genius and the other is a 50-something year old concierge in the fancy hotel she lives in.

So that's cool, but the writing style is what really got to me. Barbery gets very deep into some philosophical questions, that at many points I found confusing at first, but once I got into my "elegance of the hedgehog mood", I really enjoyed it.

The way she uses language is just so PRETTY that I easily got sucked in. My only warning is that the ending is super surprising, although very satisfying nonetheless. I had to wait awhile to write my review because a) I didn't know what to say, and b) The ending got me pretty emotional, because the characters were so believable (I was almost crying on the bus when I finished it).

-- Fizzy

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Elegance of the Hedgehog

Movie/musical Review: Oklahoma (London stage version), the musical

Monday, April 13th, 2009

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Author:Rogers and Hammerstein 
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 8 and up
Genre:musical
Year of publication:1999

X-Men have been, and remain, our favorite super-heroes. We watch the movies; have not gotten into the comic books. Have recently also enjoyed Hellboy. Some of us really admire The Incredibles (but some of us do not).

We must write our homage to X-Men someday. After all, this is a group that thinks that hiding out in a school for the gifted will somehow shield its members from bullies. A creative, if foolish, concept.

Plus, they have both Patrick Stewart and Hugh Jackman. And very cool superpowers. And great special effects.

We are waiting with great anticipation for the release of the latest X-Men movie, Wolverine. Although, judging from the previews, it's probably going to be depressing as anything. And meanwhile, since we love and admire Hugh Jackman (have started watching Australia), and we love and admire musicals, we sat down and watched this production of Oklahoma.

Plot spoiler alert: plot spoilers follow below...

As we have pointed out before, Broadway musicals, at least the good ones, are much more than song and dance. Musicals' pretty costumes and music often disguise powerful messages.

Oklahoma is an odd one -- the messages are truly of their original time -- 1955.

  • There's a guy named Jud. He's got some unattractive habits. (Kind of like the X-Men -- they accidentally kill you with their thoughts, he impulsively brandishes switchblades.) Plus no one normal likes him. (Kind of like the X-Men, huh?)
  • Then there's Laurey, Jud's young woman employer. She is not yet ready to commit herself to her true love, Curly, and instead teases Curly by agreeing to let Jud take her to the barn-raising. Teasing is not nice. And so Laurey gets everyone into real trouble.
  • There's also a loose woman and the two men who love her -- Will Parker (a cowboy) and Ali Hakim (a Persian peddler, played with an accent that seems to waver between NY and who knows where by Peter Polycarpou). Wow, Persian. Put there in the 1950s. An outsider from the Middle East with enough money to buy whatever he wants, but -- perhaps we shouldn't let our women get involved with guys like him. And yes, Ali Hakim IS Persian in the original.
  • And "Why is it that Aunt Eller runs the town? Did any woman wield that kind of power in those days?," my daughter didn't think that was in any way realistic. I speculated about there not being many women surviving childbirth into "old age" in the days before OK statehood; but then, in this production at least, there are a LOT of women -- they overwhelm the wedding scene, for example.
So how DO our musical Oklahomans deal with this bully? (Even if he's one that they've sort of created. Or, maybe he's just crazy and not really their responsibility, just a problem for them to dispose of?)

If you are Curly and just want Jud gone, perhaps you sidle over to Jud's hovel and sing him a song encouraging him to suicide. ("Is this FORESHADOWING?," my daughter asks.) And when that does not work, you and Laurey try various other things, all of which end up infuriating the bully further. And then .... Go here to skirt spoilers

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You accidentally kill the guy (see! it WAS foreshadowing) in self-defense, stage a trial in a convenient venue, are let off in seconds (since everyone, even the farmers, KNOWS for sure that the murder was in self-defense), and then you get on with your happy life. You settle down and become a farmer. Oklahoma settles down and becomes a state.

 

 

 

 

 

 

 

 

 

What DID we actually think of this version of the musical?

Well, the famous songs are famous for a reason. The choreography is by Agnes del Mille. My daughter found it a bit intrusive. "So now here comes the next DANCE number." Laurey's dream sequence is VERY disturbing. Hugh Jackman does not disappoint. Shuler Hensley, who plays Jud Fry, has a remarkable voice and keeps us vacillating between sympathy and digust for his character.

The filming decisions were odd too. We see the audience clapping after most scenes, and that is ok. And we get to see SOME of the stagecraft (much is made of the revolving stage). But the peeks into the stagecraft made my daughter want to see MORE of the stagecraft, and she came to doubt that we were actually seeing the musical as it was presented to a real live audience. We noticed some shoe changes -- boots to toe shoes to boots -- that we found very confusing.

Should your sophisticated children watch Oklahoma? If they have an interest in musical theatre, absolutely. But, beware: Musicals' pretty costumes and music often disguise powerful messages. And the messages of Oklahoma are -- hmmm -- disquieting. As messages of musicals often are.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Rodgers and Hammerstein's Oklahoma! (London Stage Revival)