Archive for the ‘Dealing with bullies’ Category
Monday, April 13th, 2009
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| Author: | Rogers and Hammerstein |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | musical |
| Year of publication: | 1999 |
X-Men have been, and remain, our favorite super-heroes. We watch the movies; have not gotten into the comic books. Have recently also enjoyed Hellboy. Some of us really admire The Incredibles (but some of us do not).
We must write our homage to X-Men someday. After all, this is a group that thinks that hiding out in a school for the gifted will somehow shield its members from bullies. A creative, if foolish, concept.
Plus, they have both Patrick Stewart and Hugh Jackman. And very cool superpowers. And great special effects.
We are waiting with great anticipation for the release of the latest X-Men movie, Wolverine. Although, judging from the previews, it's probably going to be depressing as anything. And meanwhile, since we love and admire Hugh Jackman (have started watching Australia), and we love and admire musicals, we sat down and watched this production of Oklahoma.
Plot spoiler alert: plot spoilers follow below... |
As we have pointed out before, Broadway musicals, at least the good ones, are much more than song and dance. Musicals' pretty costumes and music often disguise powerful messages.
Oklahoma is an odd one -- the messages are truly of their original time -- 1955. - There's a guy named Jud. He's got some unattractive habits. (Kind of like the X-Men -- they accidentally kill you with their thoughts, he impulsively brandishes switchblades.) Plus no one normal likes him. (Kind of like the X-Men, huh?)
- Then there's Laurey, Jud's young woman employer. She is not yet ready to commit herself to her true love, Curly, and instead teases Curly by agreeing to let Jud take her to the barn-raising. Teasing is not nice. And so Laurey gets everyone into real trouble.
- There's also a loose woman and the two men who love her -- Will Parker (a cowboy) and Ali Hakim (a Persian peddler, played with an accent that seems to waver between NY and who knows where by Peter Polycarpou). Wow, Persian. Put there in the 1950s. An outsider from the Middle East with enough money to buy whatever he wants, but -- perhaps we shouldn't let our women get involved with guys like him. And yes, Ali Hakim IS Persian in the original.
- And "Why is it that Aunt Eller runs the town? Did any woman wield that kind of power in those days?," my daughter didn't think that was in any way realistic. I speculated about there not being many women surviving childbirth into "old age" in the days before OK statehood; but then, in this production at least, there are a LOT of women -- they overwhelm the wedding scene, for example.
So how DO our musical Oklahomans deal with this bully? (Even if he's one that they've sort of created. Or, maybe he's just crazy and not really their responsibility, just a problem for them to dispose of?) If you are Curly and just want Jud gone, perhaps you sidle over to Jud's hovel and sing him a song encouraging him to suicide. ("Is this FORESHADOWING?," my daughter asks.) And when that does not work, you and Laurey try various other things, all of which end up infuriating the bully further. And then .... Go here to skirt spoilers SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW SPOILER BELOW
You accidentally kill the guy (see! it WAS foreshadowing) in self-defense, stage a trial in a convenient venue, are let off in seconds (since everyone, even the farmers, KNOWS for sure that the murder was in self-defense), and then you get on with your happy life. You settle down and become a farmer. Oklahoma settles down and becomes a state.
What DID we actually think of this version of the musical?
Well, the famous songs are famous for a reason. The choreography is by Agnes del Mille. My daughter found it a bit intrusive. "So now here comes the next DANCE number." Laurey's dream sequence is VERY disturbing. Hugh Jackman does not disappoint. Shuler Hensley, who plays Jud Fry, has a remarkable voice and keeps us vacillating between sympathy and digust for his character.
The filming decisions were odd too. We see the audience clapping after most scenes, and that is ok. And we get to see SOME of the stagecraft (much is made of the revolving stage). But the peeks into the stagecraft made my daughter want to see MORE of the stagecraft, and she came to doubt that we were actually seeing the musical as it was presented to a real live audience. We noticed some shoe changes -- boots to toe shoes to boots -- that we found very confusing.
Should your sophisticated children watch Oklahoma? If they have an interest in musical theatre, absolutely. But, beware: Musicals' pretty costumes and music often disguise powerful messages. And the messages of Oklahoma are -- hmmm -- disquieting. As messages of musicals often are. |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Rodgers and Hammerstein's Oklahoma! (London Stage Revival) |
Tags:Broadway musical, bullies, bullying, cowboys vs. farmers, Hugh Jackman, musical, oklahoma, oklahoma statehood, Patrick Stewart, suicide, X-Men
Posted in Broadway musicals, Conceptual: age 12 and up, Culture, Dealing with bullies, Death is a central theme, Female protagonist, Fiction, Gifted, History, Music, Reading level: age 8 and up | Comments Closed
Tuesday, March 4th, 2008
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 1999 |
We here are huge fans of Diana Wynne Jones.
We admire the magical worlds she creates and her characters -- human, wizard, and fantastical -- captivate us. We find the plots of her stories unpredictable but plausible, at least in the magical environments in which they take place. One of the coolest things about her stories is that although the plot of each of her novels is really unique, characters and laws of magic overlap in intriguing ways in the many worlds described in her many stories.
We enjoyed reading Deep Secret, mostly because we became interested in Nick Mallory, who is a protagonist in another of Jones' many novels, The Merlin Conspiracy. However, it is not one of our favorite Diana Wynne Jones books.
For one thing, Deep Secret seems to mostly target adults, perhaps because it seems to be Diana Wynne Jones' tribute to science fiction conventions. The plot -- regarding a Magid (a powerful wizard whose undercover job is to keep magic under control in some sector of the multiverse) in search of a student -- is certainly compelling for certain young readers. But Jones unnecessarily throws in words (such as "orgy") that young readers are likely to ask their parents about.
Anyway, Nick is a nice, seemingly ordinary teenage boy with a witch (in all senses of that word) for a mother and a touching relationship with his ne'er-do-well cousin Maree. When my daughter and I first "met" him in The Merlin Conspiracy, he was looking for someone to train him to control his wizardly gifts. In Deep Secret, Nick seems not to be consciously aware that he needs training.
We enjoyed learning more about Nick and Maree and the Magid Rupert Venables and many magical creatures, including some fascinating centaurs and phantasmagorical chicks, but might not have found ourselves so riveted if we were not already familiar with many other stories in the Diana Wynne Jones opus.
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This might be a good read-aloud for older readers. It was fairly easy for me to just omit the few paragraphs that alluded to activities at science fiction conventions that would not be appropriate for young people. |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Deep Secret |
Posted in Child-raising, Computers in society, Conceptual: age 12 and up, Dealing with bullies, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level: age 12 and up, Science Fiction | Comments Closed
Thursday, February 21st, 2008
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 1998 |
"The cool thing about Diana Wynne Jones is that we've read many of her books, but her stories are all very different.
She doesn't repeat herself. This one goes from amazing to intense, maybe it's even a little too intense," says my 13 yr. old.
As you can tell, we here are huge fans of Diana Wynne Jones.
We admire the magical worlds she creates and her characters -- human, wizard, and fantastical -- captivate us.
We find the plots of her stories unpredictable but plausible, at least in the magical environments in which they
take place.
Dark Lord of Derkholm is about a planet that is used as a playground by a imperial power, in the person of one
"Mr. Chesney". The inhabitants are compelled to stage elaborate wargames, games in which they and the tourists who pay to
join them risk losing lives, families, and livelihoods. (Lest this be thought of as a metaphor for the American adventure in Iraq,
please note that this story was written back in 1998, before our Mr. Cheney lead us there.)
I have a friend whose brilliant son graduated from college and then promptly enlisted in the military. "Maybe I won't get sent
to Iraq," he told her. "Yeah, and why are they teaching you Arabic?" she asked him. There are young people who need to
truly understand how terrible war can be. And maybe we should try to communicate this to them before they are
old enough to sign on the dotted line of that enlistment contract.
But what about the kids who have already drunk the Kool-Aid? Those who know that war is not a game. Do they
need to know that mercenaries sometimes rape innocent children? That sometimes heroes die in battle?
That those who sponsor the wars often profit vastly from the carnage? Maybe not. But I think I'd have been happier if
my friend's son had thought about these things before he enlisted.
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So, do we recommend Dark Lord of Denholm? Not for sensitive children. Because they will fall in love with the griffins
and the dragons and flying horses and annoying geese and Derk and his human children and then they will read about how
all these gorgeous characters suffer just because they live in a society that plays at war.
Do I think our children ought to read books like this one? Even though they can hardly bring themselves to read on?
Yes. In a country where our leaders feel comfortable cheerfully singing "Bomb, bomb, bomb Iran" to the melody of a Beach Boys song,
our children need to read about how a downtrodden society can pull itself together and say "No" to war. |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dark Lord of Derkholm |
Posted in Animals, Child-raising, Conceptual: age 12 and up, Dealing with bullies, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, History, Parenting gifted children, Reading level: age 12 and up, Science Fiction | Comments Closed
Thursday, October 11th, 2007
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| Author: | Margaret Atwood |
| Reading Level (Conceptual): | For grown-ups
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| Reading Level (Vocabulary): | For grown-ups
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| Genre: | fiction |
| Year of publication: | 2003 |
Margaret Atwood's gift is to write entirely plausible nightmares that resonate to her readers' bones. Problem is, the nightmares she drags us into are so plausible that they do seem to be coming true.
The nightmare we inhabit in Oryx and Crake is an ecological one. Intense, violent, horribly sad. Just what we expect from the best of Margaret Atwood.
A must read.
A bit of a spoiler, below.
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The germ of Oryx and Crake, and yes, in this context, that is a pun, is that at some point, pharmaceutical companies might worry if all disease were wiped out. After all, if no one ever gets sick, then, what would Big Pharma sell?
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Oryx and Crake |
Posted in Conceptual: for grown ups, Dealing with bullies, Death is a central theme, Fiction, Gifted, Reading level: Grown up, Science, Science Fiction | Comments Closed
Saturday, September 29th, 2007
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 8 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
There are just a few authors that my 12 year old and I trust implicitly.
After having raced through umpteen of her novels, we may have placed Diana Wynne Jones in that category. Sure, The Magicians of Caprona was kind of stupid.... But if you locked us in a library, with a short deadline in which to emerge with a book we were willing to read, it might very well be one by Diana Wynne Jones.
Cart and Cwidder is a light-weight but enjoyable and typical Diana Wynne Jones offering. There is the standard DWJ mother -- self-involved and mostly oblivious to even the most obvious danger to her children. There are the children whose future depends on their learning to take advantage of their gifts, innate and physical. In this case, the gifts are their ability to entertain, spin tales, and play the musical instruments left to them by their murdered father.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Cart and Cwidder |
Posted in Conceptual: 8 and up, Dealing with bullies, Fairy tales, Fiction, Gifted, Reading level: age 8 and up | Comments Closed
Sunday, September 16th, 2007
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| Author: | Lance Marcum |
| Reading Level (Conceptual): | Children 8 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 2005 |
Because The Cottonmouth Club is written in the first person, you know from the start that Mitch Valentine does not actually succeed in killing himself, no matter what stupid thing he gets dared into by his misguided friends and foolish choices.
And yet, here is another "boy book" in which a boy wreaks near-disaster time and time again because of his own willfulness and yet seems unable to stop himself from succumbing to peer pressure. |
With its farting jokes and boy-on-boy meanness, this book will no doubt delight certain young readers. |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Cottonmouth Club, The |
Posted in Animals, Child-raising, Conceptual: 8 and up, Dealing with bullies, Fiction, Reading level: age 8 and up | Comments Closed
Thursday, September 6th, 2007
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| Author: | Karen Hesse |
| Illustrator: | Robert Andrew Parker |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction, historical |
| Year of publication: | 2000 |
"Read this book," my 12 yr. old ordered me. "I'm pretty sure you'll like it. I liked it a lot."
And I did indeed like it a lot. And, I learned a lot about sea voyaging in the late 1700's too.
Hesse based her tale on fact -- there was really a young boy named Nick Young who "appeared" on the roster of Captain Cook's ship Endeavour quite a few months after the ship had left England, but before it had put into any port. Hesse guessed that he had been a stowaway and was discovered once it was too late to put him ashore.
Nick's story is told in the form of his journal entries for the entire voyage, each of which provides a date, a latitude and longitude (in measurements of Capt. Cook's time, which means that if a reader were to want to follow Nick's journey on a globe, one would have to do a little math), and an approximate location in words.
In Hesse's imagination, but perhaps this is truly how it happened, once Nick is free to show himself, he makes himself useful as assistant to the ship's physician, writing tutor, and friend to the Goat and the dogs and many of the sailors.
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Captain Cook proves an adept leader and for many months of the three year journey; he kept nearly everyone on board alive and healthy. But seafaring was risky in those years. There was violence; the close quarters of the ship required stringent enforcement of rules -- punishment was by lashes with the cat-o'-nine-tails or worse -- and Nick does lose many shipboard friends to accidents and disease. My usually very sensitive daughter accepted these sad events because, she felt, they were the historical reality and also because Nick helped us experience them through his accepting (if sometimes tearful) eyes.
Because the tale is told in the voice of a boy, it is not challenging to read. However, Nick does have a strong grasp of sailing terminology and 18th century turns of speech. The glossary at the end of the book and the maps on the inside covers are useful additions.
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Stowaway |
Posted in Animals, Biography, Conceptual: age 12 and up, Culture, Dealing with bullies, Death is a central theme, Dickensian, Fiction, Gifted, History, Reading level: age 8 and up | Comments Closed
Monday, September 3rd, 2007
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Posted in Child-raising, Conceptual: age 12 and up, Culture, Dealing with bullies, Death is a central theme, Dickensian, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, History, Parenting gifted children, Reading level: age 8 and up, Science Fiction | Comments Closed
Saturday, July 14th, 2007
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 8 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 2005 |
Either Diana Wynne Jones must have had a truly rocky relationship with her uncle, and found that her mother did not protect her from him, or else she's just got a thing against uncles. In any case, evil uncles are major drivers of plots in Jones' intriguing set of worlds, as Conrad Tesdinic, the 12 yr. old narrator of this book, learns. Conrad's uncle is every bit as evil in his own ways as Christopher Chant's (who becomes the Chrestomanci in Diana Wynne Jones' universe) was to him.
A 16 yr. old Christopher Chant and his future wife, Millie, play supporting roles in this, the eventful, but not frenetic story of how Conrad avoids the terrible fate his uncle attempts to foist upon him and instead finds himself a mentor. |
My now-11 year old and I really enjoy our glimpses into Diana Wynne Jones' multiple alternative universes, in which the outcomes of historical events led to the preeminence of technology in some universes and the preeminence of magic in others.
Although Conrad's Fate stands well on its own, we recommend that readers enter this interesting and complicated universe by reading at least A Charmed Life and then The Lives of Christopher Chant before reading this one. |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Chronicles of Chrestomanci, Volume 6: Conrad's Fate |
Posted in Child-raising, Conceptual: 8 and up, Dealing with bullies, Dragons and/or mythological beasts, Fairy tales, Fiction, Gifted, Parenting gifted children, Reading level: age 8 and up, Science Fiction | Comments Closed
Wednesday, July 4th, 2007
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Posted in Animals, Child-raising, Conceptual: age 12 and up, Dealing with bullies, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Reading level: age 8 and up | Comments Closed
