Archive for the ‘Conceptual level’ Category
Sunday, September 13th, 2009
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| Author: | Markus Zusak |
| Reading Level (Conceptual): | Sophisticated readers |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | Fiction |
| Year of publication: | 2007 |
Good book. About a girl during the Holocaust, but on the side we don't usually hear: She is German, but suffering as well. In the very beginning of the book Liesel's brother dies, and she is shipped off to live with "scary" foster parents. And by the middle her family is trying to keep a Jew hidden, and still "Heil Hitler" everyone they see.
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The story is told by Death, which is a little bit spooky sounding, but Zusak makes Death surprisingly compassionate. As Liesel has to face the terrors of WW2, Death adds his two cents every once in a while, giving the story an interesting edge, especially because he tells us the climax of the book in the beginning, and makes us read all the way through for an explanation.
-- Fiz, age 14
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Book Thief, The |
Tags:book review, Gifted, History, Holocaust, suffering in war
Posted in Child-raising, Conceptual: highly sophisticated, Culture, Dealing with bullies, Death is a central theme, Female protagonist, Fiction, Gifted, History, Parenting gifted children, Reading level: age 12 and up | Comments Closed
Sunday, September 13th, 2009
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| Author: | Irving Stone |
| Reading Level (Conceptual): | Sophisticated readers |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | Fiction, biography |
| Year of publication: | 1961 |
Reading this novelized biography of Michelangelo just now, after so recently reading the non-fictionalized Dancing To the Precipice was probably a mistake.
I did read The Agony and the Ecstasy to the end and found it mostly interesting, but -- so many unexplained wars, duplicate names, minor characters, changes of venue. Seems to me if you are going to fictionalize, you might want to streamline. If there are three characters named Ludovico, maybe rename one to be Vico?
I did learn a lot of facts, or at least I think they were facts, about Michelangelo's life and the history of the Papacy and the Italian city states. What I did not learn, and missed, was a bit more of an explanation about why this talented, obsessed artist allowed himself to be so taken advantage of? And why did the patrons who claimed to admire him so much abuse his gifts rather than help nurture them? I understand that they might need to use their enormous wealth to pay their armies, but -- Why the law suits? Why did so many popes ask the impossible when they clearly wanted Michelangelo to do great work for them?
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The story felt to me like a history text, but because the text was labeled "fictionalized", I was never sure which parts were factual.
Seems like Irving Stone's message to us about Michelangelo is that his obsession with working marble led him to make foolish business decisions. But if he had not been so totally obsessed with working marble, would he have had the fortitude to keep on struggling given the financial strain he was under his entire life? On the other hand, maybe if he had refused to take on some projects until they were funded, he would have found himself under less financial strain?
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Agony and the Ecstasy, The: A Biographical Novel of Michelangelo |
Tags:art, european history, Gifted, History, history of art, italian history, michaelangelo, papacy
Posted in Biography, Child-raising, Conceptual: highly sophisticated, Culture, Dealing with bullies, Death is a central theme, Fiction, Gifted, History, Parenting gifted children, Reading level: age 12 and up | Comments Closed
Friday, August 28th, 2009
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| Author: | Caroline Moorehead |
| Reading Level (Conceptual): | Sophisticated readers |
| Reading Level (Vocabulary): | Sophisticated readers |
| Genre: | non-fiction, history |
| Year of publication: | 2009 |
Lucie de la Tour du Pin was born into an aristocratic family, served as lady-in-waiting to Marie Antoinette in her early adulthood, then went on to marry for love (not common in those days), birth and lose many children, and survive the treacherous political turmoils that began with the French Revolution.
After reading this book, I was not certain I understood much more than I did before about the French Revolution, but I did empathize a great deal more than I had before with the French aristocracy of that time. For example, Moorehead continually implies that Talleyrand was evil (and was he so terrible compared to the many other participants of the Terror??!!!) but never quite tells us what awful things he did.
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Starting in mid-life, Lucie began a memoir, not published until long after she died, and I assume that Moorehead used this document as the basis for much of her narrative.
Which probably explains why the author flits between levels of detail; there are weeks of Lucie's life described down to the taste of the food she ate but then whole years pass without much information. I came away convinced not that history is written by the victors (a quote attributed, but not definitively assigned to Winston Churchill), but instead that history is written by those who write things down.
Not a book for the sensitive reader, but a fascinating description of an "ordinary", if upperclass, women who played a small part in history and lived to tell us about it. |
| Similar books |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dancing to the Precipice: The Life of Lucie de la Tour du Pin, Eyewitness to an Era |
Tags:American Revolution, consequences of war, French Revolution, suffering in war, Terror, war, women in history
Posted in Biography, Child-raising, Conceptual: highly sophisticated, Culture, Death is a central theme, Female protagonist, Gifted, History, Reading level: Sophisticated reader | Comments Closed
Sunday, August 9th, 2009
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Recommended for ages 12 and up
Released in 1934, this was the first in the series of Thin Man movies.
We watched this as a family. Perhaps it is less confusing on the big screen. I am not terribly good at mysteries and I am also not a very keen observer of film, but for the first hour of this film, neither my cinematically literate husband nor daughter could differentiate between the women in the movie nor could they follow the action or dialog. I ended up having to explain everything to them and since I guessed most of the plot within the first 10 minutes, I accidentally ended up telling them what happened early on too.
So, anyway, your standard oblivious, not-kind-to-others genius disappears, and a couple of rich dilettantes who are much smarter than the bungling detective assigned to the case help find out what happened, even though they drink pretty much constantly, and what’s in those glasses is not water.
The women’s dresses/gowns are astonishing (think all-Bjork-all-the-time). The dog is adorable. The bad guys are ugly. There’s no food at any party, just liquids (not water). The dialog is fast-paced, delivered in varying degrees of New-York-ese, and old-fashioned.
Challenging to follow, maybe not a bad thing in a film. But really — a mystery that I solved within minutes? I who never predict plot twists in film unless they are blasted out to me? Maybe I saw this film before in a previous life….
Get The Thin Man
Tags:movie review, mystery
Posted in Conceptual: 8 and up, Culture, Death is a central theme, Female protagonist, Fiction, Gifted, History, Reading level: Sophisticated reader | Comments Closed
Sunday, August 9th, 2009
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| Author: | Mario Livio |
| Reading Level (Conceptual): | Sophisticated readers |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | Non-fiction, biography |
| Year of publication: | 2009 |
I never thought I'd get my fill of non-fiction books about mathematicians. And this is not really a bad one. Maybe it was the silly title and the author's transition from that religious question to the more chicken-and-egg question: Do humans invent mathematics or do they discover mathematical principles? |
Guess my question is, "Why do I care?"
Anyway, I found Livio's discussion of the achievements and ideas of the Greeks, including Pythagoras, very interesting.
-- Emily |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Is God a Mathematician? |
Tags:academia, Biography, book review, Gifted, History, history of math, history of philosophy, mathematics, philosophy
Posted in Biography, Conceptual level, Conceptual: highly sophisticated, Gifted, History, Math, Reading level, Reading level: age 12 and up, Science | Comments Closed
Monday, August 3rd, 2009
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| Author: | Susan Fromberg Schaeffer |
| Reading Level (Conceptual): | For grown-ups
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| Reading Level (Vocabulary): | For grown-ups
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| Genre: | fiction |
| Year of publication: | 2007 |
Grown-up fairy tale about how the grown children and former lovers of a philandering novelist unite to defeat his widow, the children's evil stepmother, and secure his money and his legacy. |
I guess that the point of the book, which is truly unpleasant to read, is that even folks who are not gifted can destroy lives, unless they are stopped. And that stopping them can take time and strategizing, even for gifted and deserving and creative people.
Or maybe, the book makes another point, which is that tremendously gifted people can so desperately hurt their less gifted spouses that they are driven to terrible evil.
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Poison: A Novel |
Posted in Child-raising, Conceptual level, Conceptual: for grown ups, Culture, Dealing with bullies, Death is a central theme, Fairy tales, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level: Grown up | Comments Closed
Saturday, August 1st, 2009
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Recommended for ages 12 and up
Cerebral — not action-packed; one short scene hints at the delights of the marriage bed, but these are not shown in any way.
Touching working class (reverse) fairy tale in which the OLDest daughter identifies and helps her “prince charming” (in this case a talented shoemaker) to notice and marry her and create his own kingdom (a shoe shop).
Hobson, played by Charles Laughton, is a widower, drunkard, and the owner of a shoe store whose success is pretty much entirely owing to the talents of his eldest daughter, Maggie, and one of his shoemakers (Willie). Hobson prevents his daughters from marrying, and thereby escaping from his household, by refusing to grant them dowries.
Beautifully filmed in black and white, directed by David Lean. As we watched Maggie, and then Willie, slowly manipulate Hobson into giving them exactly what they need (and, in the process, getting him to give up the alcohol that is killing him), my daughter would start by saying, “WHY are they telling him that?” And then, each time they had progressed in positive direction, she’d say “Ohhh, I get it.”
A great period piece. Nice to feel as if we were seeing how people lived in the late 19th century in a fairly small British town.
Get Hobson’s Choice
Tags:19th century, dowry, movie review
Posted in Conceptual: age 12 and up, Culture, Fairy tales, Female protagonist, Fiction, Gifted, History, Reading level: age 8 and up | Comments Closed
Monday, July 27th, 2009
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| Author: | Terry Pratchett |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 2000 |
This was Pratchett's first Discworld book and it's one I have tried to read several times before without successfully finishing it. This past spring, it was just about all-Pratchett-all-the-time for my 14 yr. old and me. After reading and just really loving Nation, I decided to try this one one more time.
My least favorite aspects of Discworld are the elephant-riding-the-turtle parts (its creation myth). And in the first books of this series, that seems to be given a great deal of attention.
Which is why The Color of Magic is still not my favorite of Pratchett's many novels. On the other hand, this is the book in which the walking/attack-dog suitcase debuts, as does Pratchett's very special Death. Funny, scary, absolutely real if mythological, these are arche-typ-ical Pratchett creations.
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While I still did not love this particular story, I am more fond of it than I had been now that I have actually finished reading it.
-- Emily
Note: This novel is in Pratchett's Discworld series, which is not calibrated for young adult readers. |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Color of Magic, The (Discworld #1) |
Tags:book review, creation myths, Gifted, mythological beasts, myths, religion, walking suitcase
Posted in Conceptual level, Conceptual: age 12 and up, Culture, Dragons and/or mythological beasts, Fairy tales, Fiction, Gifted, Reading level, Reading level: age 12 and up, Reading level: Sophisticated reader, Science Fiction | Comments Closed
Sunday, July 19th, 2009
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| Author: | Phillip Pullman |
| Reading Level (Conceptual): | For grown-ups
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| Reading Level (Vocabulary): | For grown-ups
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| Genre: | fiction |
| Year of publication: | 1999 |
This book is really cool: it doesn't have very much big vocabulary but it really goes deeply into the ideas of what is human or not and how our souls manifest themselves.
It also approaches the question of faith versus science, and blindly following versus scoping out your paths.
-- Fizzy, age 14
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As a parent, I have concerns about the themes and plot of this novel and the others in this series, which involve abuse and murder of children and other adult themes.
Please see The Golden Compass for my thoughts.
-- Emily |
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Subtle Knife, The |
Tags:book review, Gifted, Parenting gifted children, religion
Posted in Child-raising, Conceptual: highly sophisticated, Culture, Dealing with bullies, Death is a central theme, Dickensian, Fairy tales, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level: age 12 and up, Science Fiction | Comments Closed
Saturday, July 18th, 2009
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| Author: | Libba Bray |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 2003 |
This a spooky book about a girl with powers she doesn't understand. As she tries to survive in a "we shall civilize your daughters" kind of school, she makes friends with her enemies and brings them in on her secret.
I was always on the edge of my seat with this book, because even if no magic was happening, or she wasn't being chased by a monster, the social conflicts of teenage girls can seem terrifying sometimes.
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A good read that kept me wondering what happens next. I don't know if there is a sequel, but if there is I will read it.
-- Fizzy, age 14 |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Great and Terrible Beauty, A (The Gemma Doyle Trilogy) |
Tags:boarding school, book review, feminism, Gifted, Parenting gifted children, victorian
Posted in Child-raising, Conceptual level, Conceptual: age 12 and up, Culture, Dealing with bullies, Death is a central theme, Dickensian, Female protagonist, Fiction, Gifted, Parenting gifted children, Reading level, Reading level: age 12 and up, School | Comments Closed
