Archive for the ‘Dragons and/or mythological beasts’ Category
Tuesday, October 10th, 2006
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| Author: | Donna Jo Napoli |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fairy tale |
| Year of publication: | 2000 |
Beast is the story of how Beast (from the fairy tale Beauty and the Beast) got to be who he was in the original story. It is based in Persia, and Beast starts out as Prince Orasmyn.
I enjoyed reading this book very much, for many reasons. One is because at first I was very confused about how Persia, Prince Orasmyn, and all the other things had to do with Beauty and The Beast at all, but it ended up making perfect sense, with the same happy ending and everything. I also thought that it was very cool how the Beast used lots of real Persian words in the story.
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In the story, Beast feels many emotions very strongly; in some parts he is extremely happy and in other parts he's so sad he almost kills himself, and I liked that very much and feel that they made the story more exciting.
I found this book slow going at the beginning, but even if you start to think it is a boring book, I recommend that you keep on reading -- it ends up being a very wonderful book.
-- Fizzy, age 11
Notes to parents: - There is a description of lions mating and some other content that Fizzy thought some might find "inappropriate" for some young readers.
- Napoli's take on the Frog Prince from the prince's perspective is similar to Beast in that it helps the reader empathize with the prince in his froggy embodiment. However, The Prince of the Pond, Otherwise Known as De Fawg Pin although quite sophisticated in theme, is probably appropriate for younger readers than Beast.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Beast |
Posted in Animals, Conceptual: age 12 and up, Dragons and/or mythological beasts, Fairy tales, Fiction, Reading level: age 12 and up | Comments Closed
Sunday, September 17th, 2006
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| Author: | Donna Jo Napoli |
| Illustrator: | Judy Schachner |
| Reading Level (Conceptual): | Children 5 and up |
| Reading Level (Vocabulary): | Children 5 and up |
| Genre: | fairy tale |
| Year of publication: | 1992 |
A deeply imaginative, if sad, deeper look at the story of the Frog Prince.
In this version, narrated by the frog who becomes the prince's wife while he is a frog, the prince gradually adapts to his watery environment and becomes content in his amphibian incarnation. |
My daughter felt enormous empathy both for the narrator and for the frog-prince, both of whom learn a great deal and ultimately suffer greatly because of the changes the prince undergoes.
The line drawings make the physical differences and similarities between the naturally occurring frogs and the frog prince easier to understand.
-- Emily Berk |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Prince of the Pond, The: Otherwise Known as De Fawg Pin |
Posted in Animals, Child-raising, Conceptual: age 5 and up, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Reading level: age 5 and up | Comments Closed
Tuesday, September 12th, 2006
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| Author: | Terry Pratchett |
| Reading Level (Conceptual): | Children 8 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 2005 |
A Hat Full of Sky is the sequel to the Wee Free Men. It is about an eleven-year old girl named Tiffany Aching, who is training to be a witch, and the Nac-Mac-Feegle (Wee Free Men), who are fairies (but do NOT call them that unless you want to be seriously injured).
Tiffany is a very unusual witch, because she's from the Chalk Land. In fact, Tiffany is actually the ONLY official witch of the Chalk. She is also the Hag of the Chalk Land, which means that it is her job to protect the Chalk. (She tells it what it is; it tells her what she is.)
When something evil comes to the Chalk, Tiffany has to make it go away.
-- Fizzy, age 11
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An adult's view...
The Hat Full of Sky of the title is Tiffany's witch's hat. For services rendered in the first book in this series (The Wee Free Men), Tiffany is anointed with the invisible but meaningful hat of the Head Witch. And throughout the book, Tiffany wrestles with whether to proclaim to the world that she is indeed a witch (by putting on a hat that everyone can actually see), with whether to accept the responsibilities as well as the honors accorded to witches, and with whether she is qualified to succeed her illustrious grandmother and talented enough to conquer the evil and the self-doubt that threaten her land and herself.
Pratchett seems to think that, yes, Tiffany is indeed talented enough, and she needs to know that, but no need to admit to the rest of the world that she really is magical. So, here's a child allowed to be special enough to save her Land, but she's not to be too special. And Tiffany is not the only one who is pressured to conform. Her Teacher is another special one. As the plot progresses, the feature that makes her special is mitigated so -- no more problem -- the specialness is gone.
My daughter really enjoyed reading this series, as did I. But as the end of this book approached, I came to realize that if one wears an invisible witch's hat, one does not have to admit to oneself or to anyone else that one is special/magical. Kind of like the Rainbow Fish, who gives away all his colorfulness, so that he can be just like all his new friends, who were not very accepting of his uniqueness. Is this the message we want to convey to the heroes in our society? (It's fine to sacrifice your all for our good, but please don't admit that you have qualities that we do not have.) Just asking.
So, anyway, both my daughter and I also enjoyed reading Stargirl, which weighed much less on my mind than Hat Full.
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Hat Full of Sky, A |
Posted in Conceptual: 8 and up, Dealing with bullies, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Reading level: age 8 and up, School | Comments Closed
Sunday, August 6th, 2006
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| Author: | Jonathan Stroud |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 2005 |
Sardonic musings of a demon summoned by a very young, but now, successful, wizard.
Book review: Part 1
Spoiler alert
I hate spoilers. However, I wish I had known more about the third volume in this trilogy before my daughter and I started reading the first one. (This would not have been possible when we started the first volume, because the third volume had not yet been released.)
That being said, I highly recommend all the books in the trilogy and I am glad that my daughter and I read them together.
This review is being presented in multiple parts; each part may provide additional information that, taken together, might give away some of the plot twists of Volume 3.
On the other hand, those helping highly sensitive readers select books might want to read through all the parts of this review before recommending books in this trilogy to them ...
Book review: Part 2
My 11 year old really loved these books. But they are a bit of a departure for her -- there's real murder and mayhem in them, which, until recently, she would not have tolerated.
As in previous volumes in the Trilogy, this book switches perspective between three very different characters:
- Feisty Kitty is one of the commoners who are mistreated by the ruling elites and the demons they employ and are devastated by the economy and grief that result from the incessant wars the elites wage on foreign shores. She realizes that she must do something. But how much can one person do and can she live with the devastating consequences of her actions on her friends and colleagues?
- Bartimaeus the sardonic djinni, who stands back and makes sarcastic comments about the other characters and the plot, even when he's right in the middle of it all, and
- Nathaniel (John Mandrake) the gifted but annoying magician who has been co-opted by an Evil government because of his great intellectual abilities. Most of the time, the djinni has to obey the boy's commands, and a lot of the humor/sarcasm comes in when the djinni explains to the reader how morally compromised the boy is becoming. (And, to his credit, the djinni doesn't hesitate to tell the boy either, not that the boy listens most of the time.)
There is a complex relationship between these books and slavery too. The djinni is a slave, and even though he respects the good qualities of his boy master, he also hates having to obey his commands. Most of the time, the djinni makes this clear. But he's sometimes more supportive of his master than I think an average slave might actually be.
In Ptolemy's Gate, Bartimaeus also develops a touching relationship with Kitty and an awareness of kinship with the commoners whom most djinn scorn if they consider them at all. So much for cooperation between oppressed masses. |
Book review: Part 3
My 11 year old daughter -- a very sensitive reader who has fallen in love with many of the characters in the Bartimaeus Trilogy and who "trusts" Bartimaeus' author implicitly -- and I read books to each other, usually alternating chapters. So, here we are, alternating chapters. My daughter reads Bartimaeus' words:
There are times when even a near omnipotent djinni knows to keep his mouth shut, and this was one of them. ... Trouble was, neither of them was in a mood to listen to my doubts. ... Pride has a part to play in it, and other emotions too. Neither wishes to fail; each redoubles their efforts to impress. Things get done -- but not always the right things, or not always the things expected. .. Farqual's phrase rang uneasily in my mind: He would welcome your attack and feed off it. And, call me pessimistic, but that struck me as a mite ominous. But it was too late to worry about that now.
I interrupt her and ask, gently as I can, "So what is the author telling us here?" My daughter pauses reluctantly. It's been an exciting, interesting, scary story so far, a story that persuasively argues that war can harm the invading country as well as the country that was invaded, that slavery compromises the humanity of the slave-owner as well as the slave, that torture is likewise devastating to both the torturer and the victim, and that a country in which the ruling classes blithely assume that what is in their interest is also in the interest of commoners who have no say is a country heading for destructive violence. I persist -- "What is the author telling us right now?" She replies, "I HATE foreshadowing." She gets it, I'm pretty sure she does. I persist, "So what's being foreshadowed?" (It's almost always better when she gets the opportunity to face unpleasantness gradually.) She says, "Bad things are going to happen. But he CAN'T kill off -- ?"
Book review: Part 4
So, what are the options for an author who obviously is wanting to make a case for the horrors of war, horrors he thinks may perhaps be discounted by the young and foolish? If no one but the unnamed masses or unimportant minor characters in the book are affected by the violence, what does that say about war?
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Ptolemy's Gate (The Bartimaeus Trilogy, Book 3) |
Posted in Conceptual: age 12 and up, Death is a central theme, Dragons and/or mythological beasts, Female protagonist, Fiction, Gifted, Reading level: age 12 and up, Science Fiction | Comments Closed
Saturday, July 29th, 2006
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| Author: | Emily Rodda |
| Reading Level (Conceptual): | Children 5 and up |
| Reading Level (Vocabulary): | Children 5 and up |
| Genre: | fiction |
| Year of publication: | 1993 |
A Quest, gently told; a good chapter book for a young/new reader.
In Questing to the top of the mountain with six fellow villagers to obtain water for his village, Rowan, a frail, young shepherd, gains confidence and courage. |
Unlike in other Quests, in this one, the trials that confront the travelers are nearly all resolved through reason, rather than force. For example, Rowan's climactic encounter with the dragon benefits both the boy and the beast.
Another nice touch: Rowan's fellow travelers do their best, but then, when a trial requires more than they can do, they retire for the good of the group, with the good wishes of the group. (Take that, Joe Lieberman!)
--Emily |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Rowan of Rin |
Posted in Animals, Conceptual: age 5 and up, Dragons and/or mythological beasts, Fairy tales, Fiction, Gifted, Reading level: age 5 and up, Science Fiction | Comments Closed
Friday, July 21st, 2006
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| Author: | Susan Fletcher |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 1997 |
I liked Flight of the Dragon Kyn better than Dragon's Milk because it is not as depressing. There is some tragic violence in this pre-quel, though.
Flight of the Dragon Kyn tells the story of a girl named Kara who can call birds down. The people in her village don't like her or her gift; When she was very little she came down with a deadly sickness and they left her in a cave for dead. When she came back to them, her eyes had turned from blue to green.
Some villagers claimed that a dragon gave her its milk and that that's why she had changed.
When Kara gets older, she is taken away to call down dragons for the king. Kara realizes that she and her gifts are being used to commit great evil. What is she to do
-- Fizzy, age 11
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Note: Conceptual age set to 12, because of violence. |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Flight of the Dragon Kyn |
Posted in Conceptual: age 12 and up, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Reading level: age 8 and up, Science Fiction | Comments Closed
Tuesday, July 18th, 2006
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| Author: | Frank Herbert |
| Reading Level (Conceptual): | Sophisticated readers |
| Reading Level (Vocabulary): | Sophisticated readers |
| Genre: | Fiction |
| Year of publication: | 1971 |
What I love about Dune is the incredibly thoughtful and comprehensive description of the whole desert planet and how humans can find a way to live in such an inhospitable place.
I recommended Dune to my older daughter when she was about 13. Her opinion on Dune (but then she read it just about at the same time she read Winter's Tale & Monte Cristo, which have remained some of her favorite books, now 4 years later), was that it was "OK", compared to these others which really captivated her. |
The beginning of Dune is very violent, very intense. And it only lets up a little once about 200 pages into the book when our hero is just about out on his own. (That's often why the violence occurs early on, even in Disney. Have to get rid of mom and explain away dad so hero is forced to be brave and we can have a plot. But in this case, the beginning is quite elongated, full of betrayal and torture, and sad.)
The plot is kind of like Asimov's Foundation Trilogy, except that (perhaps because Asimov's characters are much less lifelike) Asimov is much less in-your-face violent and Asimov's women are -- fifties women, which is to say, extremely stereotypical. OTOH, for an 11 year old, maybe he should read the Foundation Trilogy first and then Dune?
And, finally, Dune is the first in, like, a series of 5 or so books. The first book doesn't actually end with any finality. AND, I really, really, really detested the sequels. Can't remember why, but I know I never got through even the first sequel. SO, I have no idea what happened after the first book.
My advice is that if there are other books on your list, I would probably postpone Dune for a while.
For an 11 year old, I would probably opt for Asimov over Frank Herbert. I really did LOVE the I, Robot stories and I think they raise interesting questions about the relationship between people and technology, even today. And the Foundation Trilogy, with the caveat about the women.
In fact, you might want to look into some of the anthologies of classic science fiction. (But reading those was what got me into reading Harlen Ellison and Kurt Vonnegut and they are probably NOT books my mom would have wanted me reading. But she was like me. I do not forbid my kids from reading anything, I just sometimes divert them toward something else ...)
--Emily |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dune |
Posted in Conceptual: highly sophisticated, Death is a central theme, Dragons and/or mythological beasts, Fiction, Gifted, Reading level: age 12 and up, Science Fiction | Comments Closed
Monday, July 17th, 2006
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| Author: | Diana Wynne Jones |
| Reading Level (Conceptual): | Children 8 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 1988 |
The books in this set are:
- The Lives of Christopher Chant
- Charmed Life
We actually read them in reverse order, and recommend that you do as well.
Charmed Life is the story of Cat and Gwendolen, brother and sister orphaned when their parents were drowned. Gwendolen seems to be a talented magician. And Cat -- well, not so much. Both are adopted, for reasons Cat finds difficult to understand, by a very powerful sorcerer, the Chrestomanci.
The Lives of Christopher Chant tells the exciting story of how Christopher Chant (barely) survived to become the Chrestomanci.
Both stories explore the problems of gifted children who are made to feel inferior because they are special. |
Growing up, neither Cat nor Christopher Chant understands that he has special talents. Instead, their "caretakers" -- in Cat's case, his sister, Gwendolen, and in Chant's case, his mother and uncle -- use their children's gifts for their own selfish purposes.
It takes Cat significant time after he meets Chrestomanci to understand his kinship (in more ways than one) with him. The advantage of reading Charmed Life first (which we did by chance) was that it made Cat's confusion very real to us.
My then-10 year old and I really enjoyed getting these two glimpses into Diana Wynne Jones' multiple alternative universes, in which the outcomes of historical events led to the preeminence of technology in some universes and the preeminence of magic in others. |
| Similar books |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Chronicles of Chrestomanci, Volume 1: Charmed Life / The Lives of Christopher Chant, The |
Posted in Conceptual: 8 and up, Dickensian, Dragons and/or mythological beasts, Fiction, Gifted, Reading level: age 8 and up, Science Fiction | Comments Closed
Monday, July 10th, 2006
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| Author: | Susan Fletcher |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 8 and up |
| Genre: | fiction |
| Year of publication: | 1989 |
I enjoyed reading Dragon's Milk. It's about a girl who is different from everybody else in her little town. Kaeldra has to get milk from a dragon so that her foster-sister won't die. And that's how Kaeldra's adventure starts.
I was upset with the end of the book because it was sad but I'm still going to read the other books in the series.
-- Fizzy, age 11
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If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Dragon's Milk |
Posted in Conceptual: age 12 and up, Death is a central theme, Dragons and/or mythological beasts, Fairy tales, Female protagonist, Fiction, Gifted, Reading level: age 8 and up, Science Fiction | Comments Closed
Friday, June 30th, 2006
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| Author: | Jonathan Stroud |
| Reading Level (Conceptual): | Children 12 and up |
| Reading Level (Vocabulary): | Children 12 and up |
| Genre: | fiction |
| Year of publication: | 2004 |
Sardonic musings of a demon summoned by a very young, but now, successful, wizard.
Bartimaeus Book Two: The Golem's Eye is a very good book, but before you read it you should read Bartimaeus, Book One: The Amulet of Samarkand, because things in Book Two will make much more sense that way.
This book switches perspective between three very different characters:
- Kitty the feisty commoner,
- Bartimaeus the sardonic djinni, and
- Nathaniel (John Mandrake) the annoying magician.
My favorite character is Bartimaeus, because he gives you footnotes to explain stuff better, tell us his very personal thoughts, and talks very funnily.
-- Fizzy, age 11
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Parent's note about the Bartimaeus trilogy:
As you can tell, my 11 year old really loves these books (she's finished the first two so far). But they are a bit of a departure for her -- there's real murder and mayhem in them, which, until recently, she would not have tolerated.
She loves them because the narrator of the book is a djinn who stands back from the action and makes kind of sarcastic comments about the other characters and the plot.
In these books, the gifted boy protagonist has been put in a position where he's been co-opted by an Evil Government because of his great intellectual abilities. The djinn has to obey the boy's commands, and a lot of the humor/sarcasm comes in when the djinn explains to the reader how morally compromised the boy is becoming. (And, to his credit, the djinn doesn't hesitate to tell the boy either, not that the boy listens most of the time.)
There a complex relationship between this book and slavery too. The djinn is a slave, and even though he respects the good qualities of his boy master, he also hates having to obey his commands. Most of the time, the djinn makes this clear. But he's sometimes more supportive of his master than I think an average slave might actually be.
-- Emily |
If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Golem's Eye, The (The Bartimaeus Trilogy, Book 2) |
Posted in Conceptual: age 12 and up, Dealing with bullies, Death is a central theme, Dragons and/or mythological beasts, Female protagonist, Fiction, Gifted, Reading level: age 12 and up, Science Fiction | Comments Closed
