Archive for the ‘Death is a central theme’ Category

Book review: Johnny Tremain

Tuesday, June 6th, 2006

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Author:Esther Forbes
Reading Level (Conceptual):Children 8 and up
Reading Level (Vocabulary):Children 8 and up
Genre:fiction
Year of publication:1943

I read Johnny Tremain with my class. It is a good book about a boy named Johnny Tremain. He is living in the time of the revolutionary war. In the book Johnny learns many things. This book has a sad ending. I like it because it is interesting plus it has a lot of true historical facts. Fizzy, age 9

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Book review: Hotel World

Tuesday, June 6th, 2006

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Book review: Messenger

Tuesday, May 23rd, 2006

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Book review: Eldest (Book 2 of Paolini’s Inheritance trilogy)

Tuesday, May 23rd, 2006

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Author:Christopher Paolini
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:fiction
Year of publication:2005

We found Eragon, the first book in this trilogy (as of Spring, 2006, the third is not yet published), so involving that we were not sure we would survive until we read Eldest.

And, well, Eldest is ok.

We are certainly going to read the next book in the series, just as soon as we can get our eyes on it.

But Eldest, like many of the middle volumes of many trilogies, was much more of a chore and less of a pleasure to read than Eragon was.


Perhaps this is because Eldest intersperses the interesting tale of Eragon's formal education as a Dragonrider with the travails of Eragon's cousin, Roran.

While Eragon gets to hang out with the beautiful, gentle, self-involved, enigmatic Elves, Roran faces the wrath of the evil Empire pretty much on his own. And poor Roran, unlike Eragon, lacks many of the advantages that make Eragon's struggles tolerable. For example, Eragon has a dragon who has endowed Eragon with super-human abilities. Roran would also have benefited from a mentor who could have explained why the Empire was inflicting atrocity after atrocity upon Roran and his village. Roran can rely only on his considerable mental, political, and physical talents, fueled by his passion for his love, Katrina, to empower him to save himself and his fellow villagers.

Eldest is bleak, much, much bleaker than Eragon. In fact, so bleak that my daughter and I often found ourselves hard-pressed to keep reading. On the other hand, when, at one point, Roran finally managed to score one of his several victories over his oppressors, my daughter was surprised and impressed. "Way to go, Roran," she cried. And meant it. I mean, many of the characters are very interesting, likeable even, even some of the not-so-savory ones. We certainly did want to know what happened to them and wished them well.

Many reviews of Paolini's books have mentioned how derivative they are of the Lord of the Ring books. Since I am not much of a fan of LOTR, I can't address this point by point. Eragon certainly borrows conventions and plot twists from earlier dragon-based fantasies. It's impossible to not notice Eragon's debts to Anne Mccaffrey's dragon books. Eldest steals from other conventions as well; it seems to incorporate some Star War-ish motifs, and not to its great benefit. However, I was not overly troubled by these borrowings; I think they happen often in fantasy. What I care about is how well a book immerses us in the lives of the characters and the lands in which they find themselves.

Paolini has done a good job, I think, of describing the cultures of the Elves and the towns and villages through which Roran and his allies pass. For example, when Paolini documents the way Eragon finds himself helpless to stop in his romantic pursuit of Arya, an Elf who may be nearly a century older than he is -- well, it is embarrassing, heart-breaking, and, while my daughter and I kept hoping Eragon would just stop making Arya feel that she was being stalked, we felt it rang very, very true. We pitied Eragon and sympathized with Arya for having to (repeatedly) reject him. "She's HUNDREDS of years older than you, stupid," my daughter exclaimed at one point.

And there are other very lovely touches here -- Paolini's explanation of how Eragon becomes a vegetarian, for example, and the complex rules he lays out governing the use and language of magic.

On the other hand, beware of graphic violence and a pervasive sense of dread in the face of overwhelming, evil enemies determined to crush the life out of Eragon, Roran, and everyone they know. And know that this sense of overwhelming danger is not resolved by the end of this, the middle, of the trilogy.

-- Emily Berk


If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Eldest (Book 2 of Paolini's Inheritance trilogy)

Book review: The Amulet of Samarkand (Book One of the Bartimaeus Trilogy)

Friday, May 19th, 2006

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Author:Jonathan Stroud
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:fiction
Year of publication:2003

CAUTION:

This wonderful trilogy features characters with whom the reader will fall in love, and significant violence that has predictable consequences. Please, before recommending this first volume to a sensitive young reader, either read the whole trilogy or read our reviews of book two and, especially, book 3.

Sardonic musings of a demon summoned by an academically under-challenged 12 year old apprentice wizard.

Together, they save Civilization as they know it. First in a trilogy.

Luckily, unlike Inkheart and Eragon, this book's sequels are already in print.



-- Emily Berk

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Amulet of Samarkand, The (Book One of the Bartimaeus Trilogy)

Book review: The Pearl

Friday, May 19th, 2006

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Book review: Kristen Lavransdatter trilogy

Friday, May 19th, 2006

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Author:Sigrid Undset
Reading Level (Conceptual):For grown-ups
Reading Level (Vocabulary):For grown-ups
Genre:fiction
Year of publication:1923

Undset won the Nobel Prize in literature for this work set in 14th century Norway.

Involving for an adult reading it, but very difficult to read, perhaps because the translation is old. The theme of the book: struggling to avoid pre-marital sex is difficult, even among church-loving people. Fascinating, detailed depictions of life on the farms, and in villages, towns and convents of medieval Norway.

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Kristen Lavransdatter trilogy

Book review: The Mermaid’s Chair

Saturday, May 13th, 2006

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Author:Sue Monk Kidd
Reading Level (Conceptual):For grown-ups
Reading Level (Vocabulary):For grown-ups
Genre:fiction
Year of publication:2005

What a let-down after The Secret Life of Bees. Gross.

If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: Mermaid's Chair, The

Book review: InkSpell

Saturday, May 13th, 2006

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Author:Cornelia Funke
Reading Level (Conceptual):Children 12 and up
Reading Level (Vocabulary):Children 12 and up
Genre:fiction
Year of publication:2005

No doubt most authors of fiction hope to evoke worlds using words alone. But what if it were possible for certain readers to actually cause people and objects to transition between fictional worlds and our world, just by reading aloud?

This is book two of what is promised to be a trilogy.

If anything, my 11 yr. old and I liked this book even more than its predecessor, InkHeart. And, as an added bonus, InkSpell provides a touching and believable portrayal of a pair of pre-adolescents who are just about certain they are in love.

In fact, we are coming to believe that anything Cornelia Funke writes might be enjoyable reading.

See also:


If you found this review helpful and/or interesting, consider supporting our book habit: Buy this book!: InkSpell

The Golden Compass and other books in the series: A rant

Tuesday, April 18th, 2006

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I read the Golden Compass and its sequels because my then 14-year old daughter and husband strongly recommended them. Turns out that I actively dislike all the books I’ve read by Philip Pullman. There’s a strong undercurrent of child abuse in all of them and it grosses me out.Lord of the Rings doesn’t bother me as much as Pullman but it’s not a favorite either.

The Golden Compass is about a series of disappearances (and mutilations that result in the deaths) of youngsters of a species that is similar to but not human. I found the book very, very disturbing.

I am a huge fan of fairy tales and don’t have a problem with bad/creepy things happening in stories if I feel that there’s a purpose behind the bad things happening. (Click here for my defense of fairy tales…)

So, for example, I’m ok with the destruction of the planet Alderaan at the beginning of Star Wars, because I feel that it is \”necessary\” for the plot AND because the quality of the movie was such that (I felt) it \”justified\” the virtual destruction. On the other hand, there was a TV series called Battlestar Gallactica that began with the destruction of the earth. I thought the characters and plots and events and writing of that show were dreadful and so they did not \”justify\” the destruction of earth and all its inhabitants.

In the case of the Golden Compass, I find the writing pedestrian and the thing that made me think it was creepy was the plot, NOT the writing. For the entire book, it’s basically a mystery about why these children are being abducted and mutilated. So, they keep having to be abducted and mutilated.

Worse, unlike in a fairy tale, there is no resolution in this book. (Resolution occurs in the third book of the series. Not soon enough, in my opinion.)

One skill I would like my children to learn is to discriminate between books. In my mind, I distinguish between Animorphs and Narnia, at least when they are being read by a 12 year old. Animorphs are mind-candy. When she was at that stage, I didn’t prohibit my daughter from reading Animorphs, but I was not willing to buy the whole series (couldn’t afford it anyway). I MIGHT have been willing to buy the whole Narnia series.

I have discussed why I think this book is repulsive with my daughter. Her \”defense\” of the book was that, \”But Pantalaion is so cute!\” Sigh. It’s fine with me that she enjoyed reading the book. But the fact that the concept of daemons is intriguing and that one of them was cute does not make the book great. So, if we are going to allow our children to read, uncensored, it puts a burden on us to read those books too (no matter how distasteful that might be) so that we can help them work through issues that might arise when they read them. (And, no, you don’t have to read ALL the Animorphs books. But you do have to know enough about them to discuss them intelligently with the child.)

Another skill I think these children need to acquire is the ability to defend their reading (and other) choices. I am a major fan of science fiction and we went as a family to see the movie The Matrix (the first one). Which I really enjoyed. Yes, it’s violent, sloppy, yadda, yadda, yadda. I REALLY enjoyed watching it. And I can tell you why sometime off-line if you are interested. And I do not regret taking my 12 yr. old daughter with me to watch it. When I told an overly politically-correct acquaintance (who was outraged that her 15 yr. old son had gone to see The Matrix and loved it) that our whole family had gone to see it, she screamed at me about how inappropriate it was of me to allow this. But when I asked her why it was inappropriate, my friend said she had never seen it and never would. To keep up with these kids, you need credibility. It’s fine to take a position, but you have to be able to make an intellectual argument because otherwise these kids discount what you’re saying AND they don’t learn to construct the intellectual arguments themselves.

So, again, in this particular case, I urge parents who are contemplating recommending The Golden Compass to their children to read it before they do. (But I think the same about The Giver and Ender’s Game and Feynman and …, all of which I feel more positively about.)

To buy The Golden Compass by Philip Pullman
–Emily Berk